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  1. SQUATCHING: Girl Talk

    May 24, 2012 by Dave

    DOWNLOAD: MP3 of “No Pause”

    To this day, GirlTalk remains one of the best shows that I have ever had the pleasure of experiencing.  I feel that it’s important to make a distinction between “seeing” or “going to” and “experiencing”.  He was playing a festival in San Diego on one of the back stages tucked away in a poorly lit alley at the same time as Modest Mouse.  This becomes important because that meant that there was an incredible filter going on in the audience.  Everyone that was watching Gregg Michael Gillis go nuts on his laptop wanted very much to be there.  The back alley was packed and the energy was palpable.  There wasn’t a single moment I wanted to raise my camera to take a photo because I was too busy dancing like a crazy person.  And beyond that, I have the deepest respect for anyone that can successfully mix 322 samples in a single album. http://farm4.staticflickr.com/3296/2968758633_2ffac11f83_b.jpg (source material for “Feed the Animals”)


  2. SQUATCHING: Reptar

    May 24, 2012 by Dave

    Reptar’s unique nature is immediately evident through their masterful representation of the Windows 3.1 browser system on their website http://reptarmusic.com/.   Their new album Body Faucet (released May 1) is a welcome follow up to their debut EP  Oblangle Fizz Y’all which left me just wanting more.  5 tracks just simply wasn’t enough and Body Faucet delivers.  Their live show is one of the most talked about aspects of this group so if you’re hitting Sasquatch this year this band is a must see.


  3. SQUATCHING: HoneyHoney

    May 24, 2012 by Dave

    Honeyhoney – Ohio by buzzbands

    HoneyHoney will be one of the very first band’s performing at Sasquatch this year and I couldn’t be more excited.  They hold a special place in my heart hailing from my old home of Venice Beach.  Singer Suzanne Santo and guitarist Ben Jaffe bring a unique sound with a skillful combination of jazz, soul, bluegrass and rock with a hit of old fashion wild west country.   With fiddles and banjos just as much incorporated in their music as heavy guitars and soulful vocals it’s hard to place this group into one classification.  HoneyHoney’s genre spanning sound is not something to be missed.


  4. Jimmy Eat World in Seattle

    July 6, 2011 by Dave

    Jimmy Eat World by Dave Endicott

    Jimmy Eat World, what a show to begin my Seattle based rock journalism efforts with.   It has been almost precisely ten years since I’ve seen them live (their Bleed American tour in 2001) and the decade has certainly treated them well.  It started a little tumultuously with the departure of Mike Trombino from the “Futures” project in 2004, as he had produced/recorded with/ or engineered every major release of theirs since 96 when he produced their first studio album Static Prevails.  It was said that this was due to the band not having enough material to feel comfortable recording a full cohesive album and then later having scheduling conflicts with Trombino.  While this was indeed traumatic as far as the production of the album was concerned it gave the band a chance to break away and construct something completely different.  They took a little time to get back into the creation phase and after building out a few of the key tracks of Futures they teamed up with Gil Norton who was known widely for his work with the Pixies and Dashboard Confessional and put out an album that was a far reach from anything that they had done before.   I found the album to be a testament to the many layers of the group that was continually being displayed through the evolution of each album.   The band then toured with Taking back Sunday and Greenday before returning to the studio to record their next album “Chase This Light”

    Chase This Light came at an interesting time for me because I was heavily involved in the creation of tour apparel for major label bands for a merch company in Los Angeles and  was constantly immersed in the music world.  While I didn’t have the pleasure of working on any Jimmy t-shirts they were definitely played through my headphones while I worked away in adobe.  When Chase This Light came out I couldn’t stop listening.  It felt like an incredible call back to the days of Bleed American where every track could be a single.  It was one of those albums where there was no wasted space, every song was worth listening to every time.  This time they decided to self produce the album, which involved getting a bunch of talented producers working together with them to create something amazing.  (Chris Testa and John Fields as co-producers and Butch Vig as exec producer)

    After announcing that they were going to start working on their next album in 2008 Atkins began work in a bit of an unconventional method for “Invented”.  He would spend time studying the works of photographers like Cindy Sherman and Hannah Starkey before putting pen and ink to paper and because of this method a lot of the songs have their own distinct message.  Each track communicates an individual idea but is woven together to form a fully cohesive set of thoughts communicated through the band’s music.

    While putting together the material for Invented, Jimmy Eat World traveled for a tenth anniversary tour of the release of their first studio album Clarity in which they performed ten sold out shows across the US in which they played the album Clarity in its entirety.  It was on this tour that the band regained connections to Trombino while playing in San Diego.  They then decided to work with him again to produce their most recent work.  One of the reasons they worked so well together on this production was Trombino’s willingness to produce in an unconventional method.  The band would record their tracks in their home studio space “Unit 2” in Arizona and then send the tracks off to Trombino who was located in Los Angeles.  It was an interesting long distance relationship but no one can deny the results.  “Invented” very clearly follows the path of greatness that has been made standard by this band.  With Atkins new approach to the lyrics and the return to Trombino’s production style (you can hear elements of Clarity and Bleed American pulse through this album) I was again amazed by their work.  It should also be noted that another flavor was added to the recording in singer/song writer Courtney Marie Andrews who provided an integral part to the sound of the album and again in the show I just witnessed.

    I will admit that Jimmy has seen a little less face time on my playlists over the last few years but this show reminded me of why I’ve been a fan for so damn long.  When you run into bands throwing down shows after establishing a pretty extensive catalogue of music there is no telling what can come up, Atkins and crew played almost everything I wanted to hear from the more obscure to the classics to some tracks off of their most recent album “Invented”.  I can liken it best to having just had exactly what I wanted from a meal.  I walked away from that music feast satisfied and since the show they’ve definitely seen resurgence in my library.


  5. Sasquatch Through the Lens of Dave

    July 5, 2011 by Dave

    After seeing the lineup of Sasquatch this year I almost wanted to ditch that whole “photographer” gig and just go as a fan.  A fan of so many bands throwing down at the festival that I wanted to stay and watch each act to the end (a luxury not given to those who have 50 bands to cover and only the first 10-15 minutes or so of each performance to shoot).  Their songs had penetrated my most often selected playlists and had often sound-tracked my long days editing content at Amazon or bike rides through Venice and since the move, Seattle. Obviously my love for my craft led me to the right decision.  Packing my camera gear, Hilary, a tent, and some basic supplies we headed out across the state to hit what I consider to be the greatest music venue I’ve ever had the pleasure of experiencing.

    We arrived at the festival only to find out that the campground area of the
    Gorge had filled to capacity (something about overbooking the festival by some 1500 people) and we were to be camped in a parking lot close to the entrance. We drove out over the long bladed grass, parked and began setting up camp.  It was game time, in the next 4 days we would cover 50 unique and dynamic groups across 4 stages at the edge of some of the most beautiful scenery one could ask for.

    Foo Fighters
    Black Joe Lewis and the Honeybears
    Wye Oak
    Dan Mangen
    Talk Demonic
    The Thermals
    Aloe Blacc
    !!!

    (more…)


  6. Sounds of Sasquatch v.IV: Sleigh Bells

    May 25, 2011 by Dave

    Sleigh Bells began with a conversation in a Brazilian restaurant between the guitarist of Poison the Well and the mother of the very talented Alexis Krauss.  In what remains one of my favorite “this is how the band got together” stories, Derek Miller (previously of poison the well) was waiting tables at Miss Favela when he mentioned he was looking for a female vocalist and heard the mother of Alexis Krauss immediately volunteer her daughter.  Sleigh Bell’s sound might be  described by comparing them to another male/female duo “the bird in the bee”.  If you’re familiar, imagine the bird and the bee beating you violently across the face with their music utilizing powerful beats and screeching guitars producing a sound that garnered a lot of media attention very quickly.

    Only a few years into existence and this group is already throwing down performances at festivals like Coachella and Pitchfork receiving rave reviews.  Their set will be short but you will leave it out of breath.

    “Crown on the Ground”


  7. Sounds of Sasquatch v.III: Matt and Kim

    May 25, 2011 by Dave

    Matt and Kim are a truly unique duo holding a place in my mind as the happiest musical act I have ever seen. If you watch them playing live you cant help but move with them, their infectious smiles and absolute genuine appreciation for being able to share their music with you. Their fantastic use of heavy beats and melodic piano riffs will get your feet moving before you even know you’re dancing. “Dynamic” would sell them short, in the video for “lessons learned” they strip down completely naked in Times Square with only a camera and a permit to shoot a mayonnaise commercial in hand. Their performance will leave you smiling no matter what state of mind you entered the experience in.


  8. Sounds of Sasquatch v.II: Macklemore X Ryan Lewis

    May 24, 2011 by Dave

    Macklemore is a certain breed of musician, a rare kind of artist that speaks truth.  You won’t feel like he is catering to your tastes when listening to his music, but you will feel him.  You’ll find testaments to this truth in his tracks like “the town” or “white privilege”. These songs are fundamental building blocks to a musical movement fronted by a man that you can’t listen to without hearing something greater than the music.

    When he began working with Ryan Lewis the Vs. EP that they produced was nothing short of brilliant.  It threads together stories of family, addiction, gender roles, and growth through masterful use of samples and Macklemore’s almost breathless delivery of words that again, speak truth.   Featuring artists such as RHCP(otherside), Beirut(Irish Celebration) the Vs. EP will catch your ear and keep you tuned in from start to finish.

    These guys are not to be missed at Sasquatch.

    “The Town”