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Posts Tagged ‘Sherwood’

  1. Copeland, Sherwood, Anchor & Braille, and Meese at House of Blues Disney

    July 1, 2009 by Steph

    Copeland Summer Tour 2009, Source: http://www.thecopelandsite.com/

    Copeland

    with Sherwood, Anchor & Braille, and Meese

    When I arrived at the House of Blues Disney in Anaheim to see Copland and Sherwood play, I had no intention of writing a review on the night. The plan was to sit back, relax, and enjoy a night of great music. I was so moved by the show, however, that I realized it would be a disservice to all you who read this not to write a review. Taking that into account, I took no notes so if you notice a lack of details or errors in my memory, I apologize in advance.

    myspace.com/meese

    The opening band was one called Meese and it was their last night on this tour before they would split off to open for Jack’s Mannequin and The Fray. As far as piano pop/rock goes, there’s nothing really to pinpoint that could make them stand out, but this band managed to grab me in the thirty minutes they were on stage. Maybe it was their energy or the sweet vocals of frontman Patrick Meese. Maybe it was the strong beat on songs like like “Tell Me It’s Over” or last week’s single of the week on iTunes “Next In Line” (the words of which I realized I knew). Maybe it’s simple honesty on songs like “Taking the World On.” Whatever it is that makes this band great, it’s reason enough for you to give them a listen. Or maybe even catch them on their tour with The Fray or this Thursday, July 16th at the Viper Room in LA.

    Now Anchor & Braille was unfortunately another story. I had heard good things about them and it seemed as though they had a fair number of fans in the audience. I, on the contrary, could not get into them. The vocal style seemed uncontrolled and their songs seemed to have an undeniable similarity. Maybe this is a band that needs to grow on me, but they weren’t love at first listen.

    Anchor and Braille, source: myspace.com/anchorandbraille

    Sherwood. Oh my, Sherwood. I’ve seen this band a number of times, and each time I see them live, I’m reminded why I enjoy them so much. This time, I was especially impressed. Contrary to the mellow crowd, Sherwood was full of energy and rocked out to their pop rock sing-along anthems.  Nate blew me away with his lung capacity as he just sang his face off. They added new breakdowns to the songs making them a great live band. They gave us a bit of a sneak listen to some songs off their new record coming out in fall and I have to say I definitely liked what I heard. My favorite part of their show? The sing-along breakdown at the end of “I’ll Wait For You.” They have an EP circulating but you’ll just have to wait until Fall or check out a show if you want to hear something new and spectacular… the old stuff should already be in your collection, right?

    Copeland is the kind of band that just knows what they’re doing. Great lyrics, versatile, amazing performers… it doesn’t really seem like there’s anything this band can’t

    Copeland, Source: myspace.com/sherwood

    do. Copeland has been in my collection for a long time, but recently became a favorite of mine upon the release of their album You Are My Sunshine last October. They opened their set with a few from the new album that tugged at everyone’s heartstrings. Even the fastest of songs on this album have a twinge of sadness. The soaring falsetto of Aaron Marsh is simple and sweet. As the show progressed, they played older songs, first from Eat Sleep Repeat like “Control Freak” and “Careful Now” and then Aaron slung on his guitar for the more upbeat pop rock of In Motion like “Pin Your Wings Back” and “No One Really Wins” and interspersing some from their oldest album Beneath the Medicine Tree. They played “Brightest” especially for the California crowd and closed the night with a small acoustic set. Overall, Copeland has a little something for everyone. If you like music, you’ll love Copeland.

    The night was a huge success, and as I mentioned, required a review just to share its loveliness. Be sure to check out these bands on tour, CD, MP3, Youtube, Myspace, or however else you enjoy music.


  2. Sherwood with The Matches, The Higher, and We Shot the Moon at The Knitting Factory

    February 4, 2008 by Steph

    Sherwood with The Matches, The Higher, and We Shot the Moon at The Knitting Factory on February 2, 2008

    So I ran halfway from the parking garage to The Knitting Factory full of excitement and nervousness with my two friends – Cassie and Liz – trailing behind.  I strolled up to the window just to be embarassed with, “I’m sorry, you’re not on the list.”  Crap.  And the show was sold out. After a few phone calls and some really awesome people, the three of us were able to arrive fashionably late mid-set of the opening band.

    Jonathan Jones - Vocals, keys, guitar, and mastermind of We Shot the Moon

    We pushed and maneuvered about half-way up to the stage and settled into a nook in the crowd to enjoy We Shot the Moon.  They looked pretty average – guitars, drums, bass, keys – but their sound was remarkably impressive.  Johnathan’s vocals were mature and controlled.  The keys were a refreshing throwback to unadulterated piano, but the heavy drum still made you want to get up and dance.  If Ben Folds decided to do power-pop, I think this is where he’d end up.  They had already convinced me of their idea, but when “Welcome Home” came on, it won my heart.  Maybe I’m just a sucker for a good slow jam, but this is download worthy – legally, of course.

    The crowd was pretty mellow through WSTM, and it was obvious a lot of us hadn’t heard them before and were hesitant to get into the groove.  As soon as The Higher came on though, people got their feet moving.  Front man Seth was quick to step right up front and steal our attention.  I could feel how much he loved performing – and he’s great at it.  He wasn’t afraid to make eye contact; he sang a few lines to me while making crazy eyes.

    Seth of The Higher

    Their sound ranges from dance-y and funky on songs like “Insurance” to heavy tracks like “Diaries.”  I hadn’t noticed while listening to their album, but Tom’s voice is very “pretty.”  With his look he reminded me of Taylor Hansen meets American Idol.  It definitely worked for the crowd though – everyone in the place was dancing and jumping whether or not they knew the songs.  Some of the tunes were less memorable than others, but the best part of the set was when Seth announced, “I’m gonna play a song you guys know” and started in on “Histrionics,” which is both their best (and shortest 🙁 ) song!

    Shawn Harris, The Matches

    So next up on stage was The Matches.  I’d only heard one of their songs, “December is for Cynics” off of Santa Cause, a Punk Rock Christmas, which I really like, but I was told, “Fuck The Matches” by a friend upon hearing the line up of the night’s show.  I didn’t know what to expect.  Out come these kids, color-coordinated in black and red to the string intro of “Salty Eyes” and Shawn Harris steals the mic like he owns the stage.  Who the fuck does he think he is?  Initial reaction — they pissed me off.  This asshole looks like Johnny Cash reincarnated as Gerard Way with vocals reminding me of Brandon Reilly of Nightmare of You.  This fucker is clad in polka-dots and a little girl’s red sweater, but I got into the music.

    Although I wanted to hate them, I couldn’t take my eyes off.  The whole band’s “I don’t give a fuck” metality made me want them–when is that not true?   I realized I knew a few of their songs.  I found myself singing along to “May your organs fail before your dreams fail you!”  The heavy drum and the bass groove got me shaking my hips and thowing my head simultaneously.  Before I realized it, they were on their last song.  Awh, over already?  That’s the sign of a good set.

    Nate, lead vocals of Sherwood

    Nate, lead vocals of Sherwood

    Nate Henry of Sherwood

    The long-awaited Sherwood were up next.  By this time, I had made my way up front.  I was so anxious for their set that when I noticed a roadie put down the set list, I asked a girl in the crowd to take a picture of it on my camera.  I was stoked to find they had a lot of my old favorites prepared.  I’ve seen Sherwood a couple of times since they toured with my favorite band The Rocket Summer in 2005.

    They got off to a rocky start – for the first song and a half, Mike’s keys weren’t on.  After the glitch there was an immediate change in Mike’s attitude, and he became his crazy usual self that I remember–bouncing around on stage and letting out somehow-harmonious screams of exultation.

    Dan Koch, sexy beast according to drunken girls.

    Dan Koch, sexy beast according to drunken girls.

    I had gotten it in my head when I saw Sherwood open for The Academy Is that I didn’t like their new stuff.  Maybe it was that I just didn’t know it, but this time I got into it. Their newer album is a lot less acoustic and sounds more processed with the drum machine like in the song “Alley Cat.” At the show though, they played an acoustic version that gave me chills.  “Learn to Sing” and “I’ll Wait for You” still remain my favorites, but their new dancier (yes, I just created that word) tunes are to my liking.  I was pissed off that some drunk girls were shouting over a gorgeous heartfelt “This Airplane is a Ribbon,” but I loved it (along with Mike and Joe blowing bubbles) all the same.

    Mike,. Sherwood's designated wild man

    Mike,. Sherwood's designated wild man

    I know I usually make a few comparative references, but to me, Sherwood is just Sherwood.  Their style is simple and heartfelt.  They don’t ravage the stage or dress like a bunch of douchebags to get your attention, but that’s because they don’t need to.  Sometimes on stage they can look a little lackluster, but just close your eyes and feel their music.  Because that’s what it’s really about, right?

    I left with a major high (what can I say?  music is my drug) and the ladies and I scored a sweet West Aspen Merch demo CD and Forever the Sickest Kids stickers outside.  Leaving a show is always the worst part… until you get into your car and listen to the bands all over again.

    Stay classy, scenesters.  <3 Steph

    p.s. for more photos, check out the Sherwood album on our Myspace