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  1. War Stories’ Self-Titled Album

    October 14, 2008 by Steph

    War Stories released their self-titled album on August 19th and, after contemplating it for a while, I haven’t really come to any definite conclusions.  There are a couple of options here.  The first is that War Stories, members Evan, Reid, Eric, and Adam are trying to be innovative.  Sometimes trying something new isn’t always understood.  This is possible.  The alternative possibility is that this band wasn’t intending to try something new, but somehow missed the mark on doing what everyone else is doing.  The third and most likely option is that War Stories set out to try to do what everyone else is doing in a more innovative way and somehow their miss-mash of conventional and creative came out like bread without yeast—flat.

    War Stories performs simplistic guitar melodies reminiscent of eighties pop rock.  That’s nothing terrible.  What makes this band hard to tolerate and almost comical is the vocals.  The vocals drag through each song in a deep wandering melody.  Lead vocals Evan clings to each note as if he’s being dragged along the bass clef violently by the rest of his band mates.  The lyrics don’t help him out much.  The redundancy of the lyrics in each song makes you check your CD player to make sure it’s not skipping.  “Lion” repeats “lion” what seems like hundreds of times in a sagging, gargling voice.

    So here’s what I say to War Stories: thumbs up.  Nice try on a good effort.  But sorry, guys, no kudos.


  2. Welcome to our Site

    September 30, 2008 by Steph

    I am very pleased to announce that we finally have this dang .com up and running.  I hope you all enjoy it as much as I do and bookmark it in your favorites.  We love each and every one of you who bare with our sometimes snide remarks but who stick around to read about the music we love (or hate).

    Welcome.


  3. Simply Beautiful (Update)

    September 30, 2008 by Steph

    I am starting a list of simply beautiful (generally acoustic) songs. This is for those of you who love beautiful music.  If you don’t…read our other trash :). If you have any recommendations to add, comment!

    “Three Cheers For Five Years” (acoustic) – Mayday Parade – Punk Rock     Goes Acoustic II

    “An Offer She Can’t Refuse” – Reeveoliver – Reeveoliver

    “When We’re Old Men” – Yellowcard – Lights and Sounds

    “Intensity in Ten Cities” – Chiodos – Bone Palace Parade

    “Stay Quiet” – Western Legend – Across the Border from Del Rio

    “Coffee Break” – Forever the Sickest Kids – Underdog Alma Mater

    “The Armistice (Acoustic) ” – The Receiving End of Sirens

    “Giving Up” – Ingrid Michaelson – Girls and Boys

    “Your Call” – Secondhand Serenad – Your Call

    “Globes and Maps” – Something Corporate – Leaving Through the Window

    “Hear You Me” – Jimmy Eat World – Bleed American

    “Nicest Thing” – Kate Nash – Made of Bricks

    “What Sarah Said” – Death Cab for Cutie – Plans

    “Sky (Feat. Ingrid Michaelson)” – Joshua Radin – Unclear Sky EP

    “Existentialism on Prom Night” – Straylight Run – Straylight Run

    “The City Lights” – Umbrellas – Umbrellas

    “Hurricane” – The Hush Sound – Goodbye Blues

    “For the Widows In Paradise, for the Fatherless In Ypsilanti” – Sufjan Stevens – Greetings from Michigan

    “Shelter” – Ray LaMontagne – Prime (Origional Motion Picture)

    “You and I are a Gang of Losers” – The Dears – Gang of Losers

    More to come later…


  4. The Rocket Summer with Phantom Planet, The Secert Handshake, and The Morning Light

    September 22, 2008 by Steph

    (videos available in Myspace blog)

    Last Saturday fellow writer Cassie and I headed up to Hollywood to the Henry Fonda Music Box to see one of our favorite bands—The Rocket Summer. We were a little surprised at the small crowd. Rumors were that only 500 tickets were pre-sold to this 1200-capacity venue.

    First band went up about 8:00.  The Morning Light is a pop rock group from Pittsburg.  Generally their music was pretty typical of their genre—some keyboard,  lots of cymbal, and some tenor vocals.  Except that their voices constantly sounded like they were reaching to grab the notes and while they probably did it intentionally to imply determination and musical perseverance, it sounded like they were having a hard time controlling their scratchy vocals.  Fortunately they were able to make this work on the album, but live, not so much.  The lyrics they were singing didn’t help them out.  Nothing memorable, really.

    The Secret Handshake, a pop-electronica brain child of Luis Dubuc, came on stage next with a bang.  Exploding on stage to Punk Goes Crunk’s “I Wish,” he turned The Music Box into a dance floor.  Some of the scene too-cool kids stood awkwardly but some caught on and got into the groove.  Heavy beats and electronica mixed perfectly in this cover.  As his set went on however, a few of his songs seemed a little more rock with clearer vocals and suitable for the crowd.  Others seemed unfit for the venue.  Some tracks felt like they could only be enjoyed accompanied by some glow sticks and acid.  Vocal effects and electronic tracks made some lyrics difficult to understand and, especially with some of the tracks too slow to dance to, the songs un-relatable to the crowd.

    Next to take the stage was Phantom Planet.  Best remembered for their theme song to the hit teen drama, The OC, these guys are much more talented than said single could possibly lead on.  A fan of the band since the release of The Guest in 2002, they have continued to make great music and pump out dance-worthy indie rock hits since.  Their stage presence, full of big rock ego and big rock beats, got the crowd rowdy.  They played big hits including “California” and single off their new album “Do the Panic.”  They even did a mashup of The Guest’s “All Over Again” with “Phantom of the Opera.”  I constantly wondered how this great band has managed to continue making amazing music for at least the past decade and stay relatively under the radar. Awesome set from this Los Angeles band.

    And last up, headliner of the night, The Rocket Summer.  The workings of Bryce Avary, performed by Bryce along with his touring band, the night’s set was fantastic.  Pop rock at it’s best, The Rocket Summer’s music is contagious musically and inspired lyrically to create this dance-along sing-out-loud force-you-to-smile sensation.  Switching between the guitar and the keyboards, Bryce catered to the small crowd on their first headlining tour since the release of their album Do You Feel in summer of 2007 playing all-time favorites.  “Cross Your Heart” and “Saturday were among the oldies-but-goodies and “Save” and “Break It Out” the newer favorites.  Mid-set Bryce appeared at the back of the venue at a small stage with just an acoustic guitar and a mic to play “Goodbye Waves and Driveways,” a personal favorite after which he solicited the crowd to help him crowd surf all the way back to the main stage.  Surrounded by fans who couldn’t sing the words more enthusiastically or jump higher during the choruses with eyes fixed on a man on stage who couldn’t shine brighter as an example of loving what he does—the music, the fans, and the love—this set was one that would leave any music-lover with a smile on their faces.

    Each set only getting better and leading into a great culmination of the night, anyone who missed this tour should definitely kick themselves and if it hasn’t come around to you yet, there’s still time!

    (Some photos sited from the respective bands’ myspaces)


  5. Jack’s Mannequin’s upcoming album The Glass Passanger

    September 21, 2008 by Steph

    Jack’s Mannequin’s upcoming album
    The Glass Passanger

    Andrew McMahon,  former vocalist and pianist of Something Corporate, released Everything in Transit as Jack’s Mannequin in August of 2005.  Since this album, excitement and hype for this piano rock outfit has continued to build.  Then McMahon’s battle with Leukemia worried fans and delayed any new releases or touring until this summer 2008.  A tour with Paramore and the release of The Ghost Overground EP and In Valleys EP are leading up to the highly anticipated sophomore album The Glass Passenger, to be released September 30th. [more]

    At first listen to the new tracks on The Ghost Overground EP, “The Resolution” and “Bloodshot,”  I was a bit perplexed and worried for what was to come with the full length album.  My fears were completely quelled at first listen to The Glass Passenger.  A story, not to be listened to out of context, Passenger tells of hope, determination, and the everyday.  True to McMahon’s former releases, his lyrics are full of beautiful simplicities and down-to-earth narratives of life.  Musically, the new release finds itself halfway between Something Corporate piano-saturated Leaving Through the Window and poppier keyboard/drum machine tracks of Transit.

    The album opens with “The Resolution,” a piano-heavy track from beginning to end filled with a desperate and determined McMahon singing “I’m alive, I don’t need a witness to know that I survived.  I’m not looking for forgiveness.”  While it seems a definite reflection on his struggle with cancer, it also seems a reflection on life and its journey in general.  This seriousness segues into a very Transit-like rock “Miss California” of sweet simple romance and a frivolous, more electronic “Spinning.”  “Swim” is the heart-wrencher of the album.  The most musically reflective of Something Corporate, “Swim” again returns to this lyrical life struggle in which he is instructing what seems be himself to “just swim” despite any obstacles.  Andrew sings, “I swim for better days despite the absence of sun.  Choking on salt water.  I’m not giving in.”  The rest of the album continues with this balance along the line of philosophical and flippant, delicate, personal stories and lunch table gossip.  Two personal favorites help round out the end of the album.  “Lullaby” tells a story that is specific yet relatable.  Truly a tragic lullaby, filled with swelling piano and a light snare, McMahon sings the listener to sleep with the story of a conversation with an old friend.  The friend begs, “Come on write me a song. Give me something to trust.  Just promise you won’t let it be just the keys that you touch.  Give me something to believe in.”  It gives this sense of connection, a sense of confiding and trusting.  “Caves” finally finishes this tour de force with an uncharacteristic intro reminiscent of a Broadway solo in Les Miserables that converges into a light piano fluttering perfectly typical of Andrew.  This works it way into a more rock and firmer sound.  “Walls are cavin’ in.  Doors got locked for sure.  There’s no one here but me.  Body like a rag doll.  You stuck the needles in my hip.”  A song of loneliness but not hopelessness, “Caves” again straddles struggle and determination closing the album with a positive we-can-make-it-through-this attitude.

    An album about life filled with highs and lows, piano ballads and pop rock melodies, Andrew McMahon as Jack’s Mannequin has perfected this sophomore album in every sense.  You can enjoy it this September 30th.


  6. The Sound of Animals Fighting – The Ocean and the Sun by Josh

    September 6, 2008 by Steph

    How do you begin a review on such an album?  Perhaps, I’ll start with my feelings.  Androgyny here we come!  Modern rumor states talking about your feelings is a positive mode of expression.  I feel . . . I feel mislead and teased.  Like a bad acid trip.  Like I was a five year old kid mistakenly pursuing that guy in a trench coat with some candy, suddenly realizing I was not getting any candy today.

    Okay, maybe that’s cruel.  Maybe I should objectify this review.  Let’s start with the labeling.  Opening the album in my itunes I immediately see the album labelled as Punk Rock.  The ex-punker in me is stoked.  The Sound of Animals Fighting?  That’s pretty punk, a little pretentious for any punker I’d known, but it’s got that raw touch to it.  This could fly.  “The Ocean and the Sun”?  Hold the phone.  The Exploited called, they want their punk label back.  No self-respecting punk in America would push for such imagery, but hey, these might be enlightened punks.  By definition, no longer punk, but grown from the roots perhaps.  Let’s listen . . .

    Let’s pretend I didn’t hear the intro.  Let’s slide right into the first track.  Oh, it’s the title track.  Lovely.  The beginning brings in a reminiscence of Portishead.  Some raw bluesy vocals overlayed on a simple set of instrumentals.  Beautiful.  Not punk, but genuinely good music.  Starts out timid, working it’s way up, knowing it’s got to sneak past your walls, it maintains steady and clean transitions with a touch of distortion on the vocals bringing a balanced sound.  I’m finding myself forgetting the punk labeling as the quality can clearly be felt.  Wait, what’s this?  Silence.  The track is ending, and there are two minutes left of track.  No! Don’t do it! Oh, The Sound, you’ve broken my heart.  Again.  Line after line of awkward questioning towards the listener, idealistic pretentious strivings, subdued just to the point that you question the intentions.  One line stands out, “Do you…have to save the world…all by yourselves?”  There it is, our theme revived!  I had my candy, it was within my grasp, the world was beautiful for a split second there, I had hope in the band, and SNAP! It was taken away, corrupted, twisted.

    The album continues on in a similar mode.  Beautiful, artful expanses of music, pulling inspiration from a diverse plethora of influences, touches of Muse, moments of Tom Waits, indie pop from the nineties, brief teasings of Scandy, sublimations of Incubus, even a set of chords directly influenced by the Reverend Horton Heat, each one after the other destroyed by random bursts of scream-o, whining pithies, and bleak attempts at pretentious artful excerpts.  This album is not only not punk, but not for me.

    Review by Josh Taylor


  7. 2008 Warped Tour, Los Angeles. Photo + Interviews + Reviews!

    August 22, 2008 by Steph

    11:15 The Academy Is…

    12:05 We the Kings

    –Interviews with All Time Low, Forever the Sickest Kids, and The Academy Is… available on our iTunes Podcast

    3:15 ORESKABAND

    3:55 Forever the Sickest Kids

    4:20 All Time Low

    5:45 Relient K

    6:45 Say Anything

    7:00 Four Year Strong

    7:15 Katy Perry

    7:45 Angeles and Airwaves

    8:15 Gym Class Heroes

    We managed to arrive just in time to check in at the press tent, sign up for interviews, and make it back over to main stages to catch The Academy Is… go on first thing in the morning.  They opened with “Neighbors” to an unusually mellow and stagnant crowd.  The played some classics—”Slow Down” and “Classifieds”—mixed in with their new singles released this past Tuesday on Fast Times at Barrington High—”Summer Hair” and “About a Girl.”  These new summer anthems were perfect for getting started a long hot day at Warped Tour.

    We the Kings were the next act of (moderate) interest and we sauntered over there to catch a few pictures and a few songs.  They sounded like Boys Like Girls with more elementary lyrics and less catchy hooks.  “Cause if you jump I will jump too.  We will fall together from the building’s ledge never looking back at what we’ve done.  we’ll say it was love cause I would die for you” is cliché emo through and through.  As we walked away, we heard Travis Clark, lead vocals, tell the crowd to “spread the love” about their new album.  So if you consider the album “love” you have Travis’ permission to share it.

    Back over in the press tent, we waited around for our interviews.  They all went amazing and we ended up getting even more than we hoped for – All Time Low followed by Forever the Sickest Kids and The Academy Is… with Charlotte Sometimes later on in the day.  You can listen to all of these interviews on iTunes  – Addicted to Shows Podcast .

    After a couple of hours in the press tent, skipping way too many good sets, we caught ORESKABAND’s set.  They’re an all-girl ska band from Japan and they RULE!  Aside from them being adorable and bursting with anime-like bubbly excitement, they kick ass as a very legit group of musicians.  They shouted for us to sing along (which was a little hard since I think most of us don’t know Japanese) but the oo’s and ahh’s were definite sing-along, skank-along material and they put on an altogether fun set.

    Forever the Sickest Kid’s set was almost as good as their set at Warped Tour in Pomona—full of dancing, moshing, and sweatiness.  Their music really has this great energy and fun about it that it’s impossible not to get excited about it.  Songs like single “Whoa Oh!” and “She’s a Lady” got the entire crowd moving and a constant launch of crowd surfers.  I can’t possibly give the Kids more praise than I already have in previous reviews so I’ll quit while I’m ahead.  LOVE.

    The closer we got to the Hurley stage, the more dense the crowd got until we finally reached the staging area overflowing with kids—the ones farther out were observant, the ones closer in ready to get their effin’ dance on!  Some of the younger more novice kiddos weren’t quite prepared for what was about to go down – lots of people falling, crowd surfers falling through, and people upset about losing sandals (please don’t wear sandals to a show).  All Time Low’s set was fun, energetic, and definitely dance-worthy.  There was a dancy, sweaty mix out there on that black top with even a little bit of circle-pit action which is great to see at Warped Tour.  They played Poppin’ Champagne (without the bleeping.  Take that, MTV!), Six Feet Under The Stars and the rest of their fun, sing-along teenage anthems.  Fun, sweaty times.

    Heading over to the main stages, we were up front and ready for Relient K.  Where were all the die-hards?  I only saw people mouthing (not even singing) along for a few of the more recent releases.  But the crowd was in no way a reflection of their performance.  Matt gracefully floated between the piano and his guitar amidst xylophone-littered pop rock melodies with fantastic harmonies.

    Totally contrary to their normal rock genre, they busted out Kanye’s “Good Life” followed by their “The Best Thing.”  Off their new The Bird and the B-Sides (with 13 new and 13 old songs) they played “The Scene and the Herd” which sounded more Mhmm than Five Score.  Matt sang, “I see you magically got this song for free… Doesn’t bother me.  I’m gonna sing what I want.  It might not be what you want to hear.” which seems appropriate because Relient K has always done exactly what they wanted to, from the contemplative Five Score to the playful “Sadie Hawkins” which they played next (although Matt admits to be sick of it, it’s still a crowd favorite).  They segued their silliness into a song about The Office and then got a little more serious with “Who I Am Hates Who I’ve Been” and promotion of the charity Blood, Water, Mission.  They ended with “I Need You” – heavy and buck! Haha.

    We stuck around to try to split the next half hour between Say Anything and Four Year Strong but Rise Against made Say Anything start late and I was only able to see one of Say Anything’s songs – “Alive With the Glory of Love.” They had good energy, great vocals and a crisp sound that drew a huge crowd.  Fans had sat there through the last 4 sets just to get a good spot for them.  Dedication, and for a good reason.

    Hustling over to Four Year Strong, I caught the set mid-first-song.  This set… FANTASTIC.  They have the fun and energy of Forever the Sickest Kids and the heaviness of Set Your Goals creating this fun, dancey, head-banging, moshing monster.  There isn’t enough praise I can give Four Year Strong.  And their straddling between hardcore and powerpop-rock allows them to appeal to just about anyone – you WILL like them.

    They played my favorites off their album Rise or Dye Trying – “Prepare To Be Digitally Manipulated,” “Catastrophe,” “Abandon Ship Or Abandon All Hope,” and “Men Are From Mars, Women Are From Hell.”  Listen.  Now.

    Katy Perry was on the stage just to the left and we caught a few of her songs.  While I have to admit a guilty pleasure for the beat of “I Kissed a Girl” and her music is pretty great to play at a party, having to stand and watch Katy shake her booty around the stage was only mildly entertaining and probably more suitable for a male audience.  I caught “One of the Boys,” “If You Can Afford Me,” and “Hot n’ Cold.”  Impatient for cherry chap stick and “Ur So Gay” I decided to find our M.I.A. photographer.

    Unable to find Catharine, I ended up shooting Angels and Airwaves with my camera.  Being up front and center for Tom Delong & band was really incredible.  Him and former band Blink-182 probably influenced over half the bands on Warped Tour 2008.  Their sound is so epic and inspiring.  The fans were so into it they were practically climbing over the barricade in hypnotized enthusiasm.  While this (not really that) new direction for Tom is exciting, it can be a little strange for all us Blink fans to see Tom so serious.  Just for us, Tom threw in a “fuck, shit, poo poo, pee pee” for us before submerging into a personal favorite “It Hurts” and closing the set with the single off their first release “The Adventure.”

    Gym Class Heroes closed out the night, walking on stage to “End of the Road” which is pretty appropriate – the last act on the last date of Warped Tour.  A little sad… but they picked up the mood immediately with the obvious crowd-pleaser “Clothes Off” which brought on dancing and singing along.  Travis announced that their the successor to As Cruel As School Children is called The Quill and will be released September 9th.

    Off their new album they played a song with a chorus “Put up your peace sign, put your index down” and then their School Children slow jam “Viva la White Girl.”  To introduce their new fans to their excellent first release The Papercut Chronicles, they played a medley of “Simple Livin'” and “Taxi Cab” (my favorite).  Stealing a note out of Relient K’s book (or maybe the other way around) they busted out an amazingly clean rendition of metal band Lamb of God’s “Laid to Rest.”  They closed out the night, and the Warped Tour, with “Cupid’s Chokehold” with Katy Perry, Forever the Sickest Kids, and a female bunny costume on stage with them.

    2008 Warped Tour finished in Los Angeles after another long summer out on the road.  Some bands we got to see for a second time and some picked up somewhere in the middle and helped close it off.  Some bands we missed completely (sorry about that).  But this year was great and it was awesome to be able to see some new favorites on the stage for the first time.  If you guys don’t take anything else from this, I hope that you listen to our interviews and listen to FOUR YEAR STRONG.

    There are a ton more photos on myspace.com/addictedtoshows including other bands not included:  Cobra Starship and Ludo.  Check them out!

    Stay Saavy,
    Steph@A2S

    Photos by Catharine Acurso


  8. All Time Low Interview

    August 17, 2008 by Steph

    All Time Low
    Warped Tour, Carson, California

    August 17, 2008


    To listen to the All Time Low interview click on the link.


  9. Forever the Sickest Kids Interview

    August 17, 2008 by Steph

    Forever the Sickest Kids

    Warped Tour, Carson, California

    August 17, 2008


    For the Forever the Sickest Kids Interview click the link