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Posts Tagged ‘Panic at the Disco’

  1. Best Albums of 2008

    December 12, 2008 by Steph

    Okay, so we all have different tastes in music and there was NO WAY I thought we could come together to make a complete list for you.  Instead, I decided that each of us should make a list for you of our top five albums of 2008.

    Apparently our tastes converged because we have a few in common.  Our collective favorites were:

    Jack’s Mannequin’s The Glass Passenger

    Fall Out Boy’s Folie a Deux

    Forever the Sickest Kids’ Underdog Alma Mater

    And here are our top picks:

    Kristyn (writer):

    1. Fall Out Boy’s Folie a Deux
    2. Valencia’s We All Need A Reason To Believe
    3. Jack’s Mannequin’s The Glass Passenger
    4. John Mayer Trio’s Where The Light Is (Live)
    5. James Morrison’s Songs For You, Truths For Me

    Aimee (photographer):

    1. The Matches’ A Band in Hope
    2. The Cab’s Whisper War
    3. Jack’s Mannequin’s The Glass Passenger
    4. Sing It Loud’s Come Around
    5. Simple Plan’s Simple Plan

    Steph (writer):

    1. Panic at the Disco’s Pretty. Odd.
    2. Jack’s Mannequin’s The Glass Passanger
    3. Forever the Sickest Kids’ Underdog Alma Mater
    4. Ingrid Michaelson’s Be OK
    5. Joshua Radin’s Unclear Sky EP

    Catharine (photographer):

    1. Fall Out Boy – Folie A Deux
    2. Taylor Swift – Fearless
    3. Panic At The Disco – Pretty. Odd.
    4. Demi Lovato – Don’t Forget
    5. Metro Station – Metro Station

    Justin (writer):

    1. Disturbed – Indestructible
    2. Mindless Self Indulgence – If
    3. Kanye West – 808s and Heartache (having to put this on here makes me want to punch myself)
    4. Hollywood Undead – Swan Songs
    5. Flight of the Conchords – Flight of the Conchords

    Cassie (writer):

    1. Fall Out Boy – Folie a deux (even if just for the hype surrounding it)

    2. The Academy Is… – Fast Times at Barrington High

    3. ADELE – 19

    4. Charlotte Sometimes – Waves and the Both of Us

    5. Forever the Sickest Kids – Underdog Alma Mater


    Brianna (writer):

    1. Jason Mraz – We Sing, We Dance, We Steal Things
    2. Gavin DeGraw – Gavin DeGraw
    3. Jack’s Mannequin – The Glass Passenger
    4. The Hush Sound – Goodbye Blues

    5. David Cook – David Cook & David Archuleta – David Archuleta


  2. Rock Band Live Tour in Los Angeles

    October 28, 2008 by Steph

    The Rock Band Live tour was one close to my heart. Having been a big fan of Dashboard Confessional for years and never seen them live, I bought two tickets as soon as they went on presale for over one hundred bucks and dragged along a lackluster friend on my dime. That’s how bad I wanted to go. It was a bit of a surprise to find out that Panic at the Disco was headlining over Dashboard Confessional, considering that these bands probably grew up listening to Dashboard just like I did. But you know, I guess that’s how things go.

    The Cab was the first band to hit the stage and I was a little taken aback. The last time I saw these kids was in Chain Reaction when they only had an EP. They weren’t much different than any other young band—lots of enthusiasm and a good sense of groove. This time, things went a lot differently. Apparently a year and a half of nineteen-year-olds being performing musicians creates a band full of divas. Lead singer Alex and his unkempt hair now reminds me of Russell Brand. [more]

    His vocals were over the top at points but the music had a good groove. They’re danceable and entertaining and although the lyrics lack much complexity, they’re enjoyable. They played the favorite jams—”Seventies Song,” “Bounce,” “Risky Business,” and my personal favorite, “I’ll Run.” To me, they’re the N*Sync of 2008; the dancier Jonas Brothers. If that’s what you’re into, go right ahead and get their LP Whisper Wars.

    The MC of the night ‘Ridiculous’ informed the crowd that anyone who wanted to “perform” Rockband on stage between sets need only compete in the lobby. That was pretty entertaining—between each set, “bands” came on stage and “performed” rock band. It definitely made the set changed pass more quickly.


    Plain White T’s came on stage next. Here’s the problem with Plain White T’s: they were a good band pigeonholed by one great song which has since determined their style. Revolving an entire style around one song that gets featured on two LPs and its own single… it forces the band down this rabbit hole to nowhere in search for the next “Hey There Delilah.”

    Their album Big Bad World came out this past September and they played songs off the album “Big Bad World” and “1, 2, 3, 4”. Both were misses for me. “1, 2, 3, 4” was like a child’s sing-a-long morphed into pop rock. I found myself singing along but with “1 thing 2 do, shoot me will you?” They did play an older favorite “Hate (I Really Don’t Like You)” which has some semblance of ingenuity. All in all, there was nothing wrong with their performance but all was swallowed up by their success with one great single. If you want to hear some pre-Delilah PWTs, check out Stop. It’s good stuff, I swear.

    Finally, it was magic. No, really. Chris Carabba, wearing his signature fedora, and band sauntered on stage and got down to business. There was a great mix of old and new favorites. Off of the newest album Shade of Poison Trees, Dashboard played “These Bones” and “Thick as Thieves” which Chris told us is about magic as card tricks played on the big screen behind the
    band.


    Some of the best and classics he played were “Again I Go Unnoticed,” “Saints and Sailors,” “Screaming Infidelities,” and “Vindicated.” Dashboard also played a great classic by a great band they toured with—”El Scorcho” by Weezer. It seemed that I was one of the few who knew the words. If you’re unfamiliar with Weezer’s Pinkerton, you should go enjoy this great ASAP. A favorite he’d never forget, he prefaced “Hands Down” with telling the crowd this is a song about the best day of his life. Fireworks and beautiful bright images flashed behind him through this uplifting song.

    This is what Dashboard Confessional has always been perfect at—music that you can sympathize with and then make you feel better. The music understands you and then reminds you of everything beautiful. Whether their acoustic guitar heart-wrenching ballads or their swelling big soft rock songs, Dashboard Confessional creates beautiful music only enhanced with their performance and the video playing behind them. It was fantastic and worth every penny.

    Panic at the Disco… oh boy. I have such mixed feelings about them. Pretty. Odd. and A Fever You Can’t Sweat Out are definitely two of my favorite albums. I would even place Pretty. Odd. on my top 5 of 2008. But live, they are never as good as you’d hope. I saw them in May of 2006 on The Academy Is…’s Truckstops and State Lines Tour and was so put off Brendan Urie’s strained and uncontrolled vocals, it took me two years to see them again. 

    So impressed by Pretty. Odd. I was certain that the Rock Band Live Tour would be a different story. While I definitely think Urie’s vocals have improved, he still has this tendency to go off-script, flailing the notes around and hoping to hit ones that work with the song. His vibrato can get a little wild, but generally his vocals were enjoyable. Famous for their stage theatrics, the boys seemed to have tamed those tendencies slightly and relied more on their music to impress. That it did. Clean and bright re-productions of the best of Pretty. Odd. and A Fever rounded out the last set of the night—”Northern Downpour,” “When the Day Met the Night,” “Lying Is the Most Fun…” and “Nine in the Afternoon” to name a few. Lead vocals Urie was even able to impress the crowd with his stint on the ivory keys and drums. They closed out the encore with a rendition of “Shout!”

    Overall the performance was fun, entertaining, and got plenty of people dancing. Musically impressive and vocally mostly, Panic at the Disco are not the best band live, but they did help make Rock Band Live a great tour!

    Stay Saavy, Steph

    *More photos available in the Rock Band Live album on our Myspace


  3. Honda Civic Tour, Florida 2008

    April 10, 2008 by Brianna

    My First Honda Civic Tour

    Yes! Just like the title suggests. Last Night was my very first Honda Civic Tour and let me tell you, I absolutely loved it! The music was great, the performance was fantastic and the energy was amazing.


    First up was Phantom Planet. From the moment they hit the stage, they brought on a blast of energy and really rocked it out. Their set had me bouncing up and down and bobbing my head the entire time. Most of the songs they played were off their new album Raise the Dead including their new singles “Do the Panic” and “Dropped,” which were awesome. They even went out there and pulled a “summoning” move for all the World of Warcraft fans at the concert (my sister and I met some of the guys and she is really into WoW.  She told them that she was a level 30 mage…they thought that was awesome :D).  They ended their set with, of course, “California” (which got the ENTIRE crowd singing along).

    The Hush Sound then took to the stage busting out with one of their songs from their new album, Goodbye Blues. As they belted out an energetic rendition of “Medicine Man” everyone sang along. I had never seen them live before so just seeing them there and SO CLOSE was just amazing. As I listened to them perform, I was amazed to realize they sound like they do on their CDs. (I know it’s weird, but I think it’s rare to actually see it or hear it happen.) Their set had a little bit for everyone. They performed soulful slow songs like “Hurricane” and more energetic and spirited songs like “We Intertwined” and “Honey”. They ended their set with an enthusiastic roar from the crowd.

    Motion City Soundtrack was up next and the closer we got to the headliners, the louder the rumbles throughout the venue became. They came on and I have to say that they are seriously entertaining. They cracked jokes in between songs – I thought that was really cool. They performed songs from their recent release Even if It Kills Me (2007) and their older albums as well.  I am a fairly new fan of Motion City Soundtrack and am still learning more about them. They got the crowd singing along when they sang “The Future freaks me out”, “Let’s Get Fucked Up and Die”, and of course their most popular, “Everything is Alright”.  They got the crowd pumped up and ready to rock by the time they ended their set. Motion City Soundtrack then turned up on the third floor to take pictures and sign autographs like The Hush Sound did, but the line went all the way down to the second floor and I wasn’t about to lose my spot in the pit.  I wanted so badly to see them and do that stuff, but positive thinking and saying to myself “there’s always next time” convinced me to stay put.

    Finally, it was the moment we had all been waiting for…Panic at the Disco was about to take the stage. The band hadn’t even come out yet and the crowd was already going crazy! I have to admit, I was part of the crowd cheering and chanting “Panic” thinking that would get them on stage fasterJ .  When they finally approached the stage, the entire venue was screaming and just…it was pandemonium. They greeted the crowd and began singing “We’re So Starving” followed by “Nine in the Afternoon”, everyone singing along the entire time. I sang even louder when they began playing my absolute favorite song—the moment the beat for “Lying is the most fun a girl can have…” began to flood the speakers, I completely let loose and started going crazy. Why would one admit this you ask? I don’t quite know…the simple answer is to show you how into the music I was. At one point though, I did feel like it was dragging a bit.  I guess it was just the lack of explosive bass and pounding rhythm. The final song was fittingly, “Northern Downpour” which I thought was nicely performed. They then got off the stage. I didn’t stick around for the encore so I can’t tell you about that.

    All in all, I enjoyed the sets, the music and the general mood of it all.  The best part was that I was helping the environment (eco-friendly centered concert). Although there were certain parts that were a little dragging, if you like any of these bands I suggest you go. You’ll have a blast.

    *all photos taken from respective artists’ myspace pages


  4. Pretty. Odd. – Panic at the Disco’s deliciousness

    April 2, 2008 by Steph

    Panic at the Disco’s Pretty.  Odd.

    Remember when Panic! at the Disco (when they still had the exclamation mark) was on AOL sessions? Way back in 2006? Well Brenden said this new album would have more musical theater influence. That is CLEAR but somehow they managed to evolve a generally old-fashioned and fogie sound into something contemporary and catchy. Result: SUCCESS!

    “We’re So Starving,” the first track of Pretty. Odd.  is a flat-out address to fan’s fears.  They’re so sorry they’ve been gone.  They’ve been busy writing songs for YOU.  But you don’t have to worry cause they’re still the same band.

    They may still be the same band but plenty has changed.  They’ve ditched much of the electronic, processed sound – even the vaudeville influence they’ve been famous for.  They’ve left behind the dark, sadistic, eccentric lyrics that filled much of A Fever You Can’t Sweat Out.  (Maybe they’ve just run out of Palahniuk to reference?)  But they’ve traded it all in for a much lighter, frivolous sound but more a compilation of educated, finely tuned works of musical deliciousness with full contribution from all of the members.  If Pretty. Odd. was a food, it would be a wedding cake with the Panic boys at the top wedded in melodic matrimony.

    It’s obvious that while we were waiting and griping about the anxious wait for the new Panic album, the boys were fine-tuning the album to perfection.  Unhappy with the first album they wrote, they started from scratch last July.  It was well worth the wait.  Each song, filled with anything from strings to brass to harmonica, banjo, and tambourine, provokes an individual sentiment all on its own, but together the compilation fits snugly together like Mad Hatter fits in Wonderland.

    Some of the songs are reminiscent of American folk songs (and I’m not talking indie) like “Folkin’ Around” while others are serious throw backs to musical theater (Sound of music, Oklahoma, etc.) like “The Piano Knows Something I Don’t Know” and “She Had the World.”  Others like “Behind the Sea” reinvent sixties rock like The Beatles.  But as always, Panic manages to extract a nostalgia and essence of genres way past their prime and evolve and mold them into something modern, catchy, and pop.  The ability to do so shows their music intelligence (dare I say genius?).

    The lyrics of Pretty.  Odd. —in place of the ominous, provoking lines of A Fever—are filled with light, nonsensical, whimsical phrases not far from Lewis Carol’ hallucinated Wonderland.  (“Remember when I was a bird and you were a map?”  “We should feed our jewelery to the sea”)  Which reminds me of their cover art and “Mad as Rabbits” video…  But if the top hat fits…?

    Panic has traded in their punctuation mark and their old sound for a new throwback.  The result is a light, fluffy, sweet concoction with intricate swirls of icing and piled 3 feet tall into confectionary harmonious perfection.

    Stay Savvy.
    Steph@A2S


  5. What time is it? Nine in the Afternoon?

    January 29, 2008 by Steph

    Ok so I know that I said I would be updating on the show I went to, and I will. I’m working on it. But just for a short little blurb…

    Panic at the Disco’s single for their new album Pretty Odd came out today. (Notice the lack of punctuation in the band’s name). The single is titled “Nine in the Afternoon” (but the cute apologetic song on Myspace “We’re So Starving” is noteworthy). As I’m sure everyone else is mentioning, typical of its sophomore status, the single has a more mature and cleaner sound than what you’re used to hearing from the boys.

    That’s not to say that they’ve left their vaudeville influence behind, as many of their diehards have been fearing. The drum beat and Brendan’s vibrato is still reminiscent of the style they’ve become so famous for, but the smart use of horns, strings and subtle guitar riffs give their single a softer sound. One might even suggest they’ve taken a few tips and tricks from their labelmates and former road-mates The Hush Sound. As a matter of fact, the amount of similarity between The Hush Sound’s “We Intertwined” and “Nine in the Afternoon” is striking. But I can’t say that taking lessons from Chicago-based indie quartet was a bad move.

    I’ve pre-ordered the album so more to come when that comes out on March 25, but I have to admit – so far I’m a sucker.