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‘Albums’ Category

  1. Chaser’s album The Big Picture

    February 2, 2010 by J-Man

    Chaser - The Big Picture Album Cover - http://chaser.bigcartel.com/product/the-big-pictureThere’s a punk band out of Orange County called Chaser that’s been kicking around doing their thing since 2002. They’ve already released two CDs, and will be releasing their newest venture, The Big Picture, on February 16th.

    The band went into this album with a brand new outlook on life. After becoming a father, front man Mike LeDonne found himself with a new, more positive spin on the world he lives in, and he carried that perspective throughout the writing process on The Big Picture. Every song gravitates around the concept of figuring out what really matters in life, and finding the silver lining in the storm clouds that too often darken our days.

    Chaser Promo - http://www.myspace.com/chaserThe album opens with the title track, which lyrically sums up everything I just said about the album. Musically, this song also sets the stage for everything else you’re about to hear. It’s punk. There’s nothing new, nothing exciting… it’s just punk. Drummer Josh Millican falls into the punk-o-matic trap of using the D-Beat relentlessly throughout The Big Picture, and the guitar/bass riffs and solos (supplied by Cameron Denning, Nate Warner, and Jesse Stopnitzky respectively), although handled by obviously talented musicians, are interchangeable between songs. A couple of songs tried to trick me into thinking otherwise with inspired intros (the first ten seconds of “Actions to Ashes” wakes you up with a primal scream and some metalicious guitar shredding) but most of them, disappointingly, melted into cookie-cutter punk songs shortly thereafter. Although most punk fans will not be bothered by this, it made the album a bit boring for me to listen to.

    Also lending to my struggle to pay attention to what was happening were the extremely tired sounding vocals. You come to expect a certain strength from your lead vocalist when listening to punk, and that is just not present on this album. Lines that almost beg for some punch, some excitement, (“No no no no never again” in “Nevermore”) fall flat and rob the songs of their potency. This could very easily be a problem that is nonexistent live, it can be hard to muster up that raw energy in a recording booth, but it hurts the album a great deal.

    Chaser Promo - http://www.myspace.com/chaserOn the up side of things, which is what this album is all about, cookie-cutter does not necessarily mean bad. If you are a punk fan, and you are looking to expand your punk library, this album is probably a cookie that you will enjoy. As a bonus, you’ll be able to listen to music that doesn’t base its lyrical content solely on calling George Bush the devil. I was pleasantly surprised to hear a Ska breakdown in the middle of “In This Together” that featured a vocalist who seemed a bit more comfortable singing in a studio. (I couldn’t find his name specifically credited to the song, but I believe it is Jason Devore of Authority Zero. LeDonne has mentioned that they worked with a number of guest musicians on this album.)  “My Promise”, an acoustic ballad that I can safely assume was written for Ledonne’s daughter, also provides a nice little breather, and ends with a phone call between the two of them that just might bring a tear to your eye.

    All in all, The Big Picture fails to bring anything revolutionary to the table, won’t shock you with amazing vocals or deep, thought provoking lyrics, but wouldn’t be a bad addition to your punk library, if that happens to be a thing that you have. Look for Chaser to hit your town with Guttermouth. The tour kicks off on Februrary 5th in San Luis Obispo.

    Rating: (1/5)


  2. Vampire Weekend’s album Contra

    January 25, 2010 by Anna

    Vampire Weekend - Contra

    Vampire Weekend’s self-titled debut album was an unexpected success, selling almost 500,000 copies and catapulting the band to popularity in both mainstream and indie circles.  Fans embraced the New York band’s educated play on words and raw instrumentation, commending its innovative sound. However, with every successful debut album comes high expectations for the next and a threatening “sophomore slump.” While many bands have fallen back into oblivion after disappointing follow-up releases, Vampire Weekend’s Contra only solidifies the band’s undeniable appeal. Contra recently debuted at No.1 on Billboard’s top 200 after its release on January 12, 2010 on XL Records, a well-deserved achievement for a well-crafted album.

    Contra is intriguingly absurd.  It thrives on juxtaposition, fusing African rhythms and electronic effects, auto-tune and orchestration, and ballad and high energy in a way that is simply genius. The first track, “Horchata” introduces the African/Caribbean rhythmic theme of the entire album. This percussion also plays a large role in  “Run,” and “Diplomat’s Son.”

    There is no doubt about this album’s absurdity after being taken on the adventurously odd ride that is “California English.” The band takes huge risks in this song, combining auto-tuned vocals and orchestration with an African/electronic background that makes the entire song so bizarre you can’t help but listen again.  Another repeat-worthy track is “Giving Up the Gun” which pleasantly integrates female vocals and displays improvement in the overall production quality of Contra in comparison to their debut release.

    Vampire Weekend

    This album has several highlights, but there are a few songs that require more than a couple listens to really enjoy such as “Holiday,” “I Think Ur a Contra,” and the album’s first single, “Cousins.”  While the music video for “Cousins” perfectly personifies its funky and frantically energetic style, it took quite a while for me to notice and appreciate the song’s excellent bass line and unusual percussion.

    Despite this, Contra is impeccable.  It is strange and confusing in all the right ways, beneficially worldly and daring, and excitingly unpredictable.  Contra successfully displays Vampire Weekend’s growth in both its musical and technical abilities, showing that, for this band, there is no such thing as a “sophomore slump.”

    Rating: (4.5/5)


  3. The Summer Set’s album Love Like This

    January 16, 2010 by Anna

    Arizona, pop-rock band The Summer Set released their debut album, Love Like This, on October 13, 2009 on the label Razor and Tie after self-releasing two EP’s while in high school. Brian Dales (vocals), Jess Bowen (drums), Josh Montgomery (guitar) and brothers John (guitar) and Stephen (bass) Gomez successfully express their fun and light-hearted approach to music with an album loaded with energetic pop beats that will undoubtedly make you nostalgic for your carefree, drunken high school days.

    Although I was admittedly a skeptic about having to listen to yet another 5-piece, teenage, power-pop band with whiny vocals, “The Boys You Do (Get Back at You)” was a pleasant surprise.  Setting a lively tone for the entire album, this first track is an irresistible fusion of opposites – Dales threatens to “go to sleep with all your friends” and vengefully warns about “the monsters in your bed,” amusingly contrasted by the peppy musical accompaniment. However, listener beware: the chorus can and will get stuck in your head. Listen at your own risk.

    While the band is successful at maintaining the energy from the first track throughout the album, some songs are predictable and have a Jonas Brothers quality about them. Chief among these are “Passenger Seat” and “Chelsea” (which was written about actress Chelsea Staub from the show, Jonas – how’s that for irony?).  This could pose as a bonus or total turn-off depending on your personal preferences, but the songs are worth a listen or two regardless.

    One of this album’s highlights is “Young,” which pays homage to young hopeless romantics everywhere.  The band provides an infectious musical backbone to lyrics like, “If I’m Romeo and you’re Juliet, as long as I’m breathing I’ll love you to death” which successfully captures the exaggerated nature of teenage love.

    myspace.com/thesummerset

    The last track, “Where Are You Now?” is a brilliant end to an album full of high-energy, power-pop sounds.  A duet with Meg&Dia singer, Dia Frampton, this ballad is a beautiful and impressive expression of raw talent.  The maturity and soothing quality of Frampton’s vocals evokes the same in that of Dales’, making the dialogue between the singers convincing and believable. Subtle harmonies throughout and a dreamlike interlude at 3:10 display the simple nature of the song as a whole, showing that the band is capable of more than just guitar-heavy pop-rock.

    While not the most innovative album to hit the shelves, Love Like This is a genuine display of The Summer Set’s optimistic approach to music.  With tracks about falling in love , embracing your youth and life in general, this album is road-trip ready and a promising start for the Arizona band.

    Rating: (3.0/5)


  4. We the King’s New Release Smile Kid

    January 8, 2010 by Jackie

    When you put together Travis Clark (lead vocals, rhythm guitar, piano), Hunter Thomsen (lead guitar and backing vocals), Drew Thomsen (bass guitar, backing vocals) and Dan Duncan (drums, percussion), you have a band called We the Kings from Bradenton, Florida.

    The name Smile Kid is a line that comes not from a title song but rather from the fourth track on the album, “The Story of Your Life.” I’m not sure a story of my life would coalesce into a song that sounds like We The King’s version, but nonetheless, it can’t be denied that it is a catchy tune.

    Next on the list is “In-N-Out (Animal Style),” a song that probably has some sort of sexual double entendre but after I read the title, I was too busy driving to my friendly neighborhood In-N-Out for a cheeseburger to notice the song’s potential deep-seated meaning.

    The next song in the repertoire is “We’ll Be a Dream,” featuring Demi Lovato (aka one of Disney’s over-promoted tween stars). I think that’s all that really needs to be said about that one.

    As I continued to listen to the album, I found myself thinking “hmm, quite a few of these songs sound oddly like something that once played in the background on an episode of  ‘The Hills.’ This thought turned out to be quite ironic because their song “Check Yes Juliet” (not on Smile Kid) was in fact, in an episode of said show. That’s not to say good music can never come from an MTV reality show, but in my esteemed opinion as a music writer, it rarely gives an album or song any brownie points.

    I suppose now is as good a time as any to mention my distaste for albums that put acoustic versions of earlier songs on the album at the end. Maybe I’m cheap, maybe I’m picky, but having the same song twice on any album, in any capacity just feels like a rip off to me. I want to get my $10 worth and have every song be new and original (even though “big” bands like Coldplay have even pulled this shtick before).

    Smile Kid is what I like to call a good “summer album” with an “infectious pop sound” (and not just because there’s a song on the album with the word “summer” in it). What is a “summer album?” Well, based on my own personal definition, such an album is one that is a) terribly catchy b) can be played ultra-loud from any form of vehicle with the windows rolled down, c) though it qualifies for point “a” and “b,” you never really listen to the lyrics or what the songs themselves are about d) after coming to terms with “c,” you bob your head and tap your fingers accordingly.

    I would not say the album was my least favorite of all time. It’s catchy and found myself tapping my foot along to the beat on more than one track, I was just faced with mounting skepticism as I continued my listening party. If any song you ever produced at any time appears in an MTV reality show about spoiled Los Angeles-based celebrity-wannabes, combined with having a well-paid Disney actress appear on one of your songs, that unfortunately does not scream “serious band!” for me. Instead, it screams “we want to be famous!” a little too much for my taste which sadly ruined my enjoyment of the majority of this album and of the band in general.

    Rating: (1.5/5)


  5. Best Albums of 2009

    December 31, 2009 by Steph

    We’ve got our top albums of 2009! Instead of compiling one big list, each of our writers and photographers have submitted their own top 5 list. We invite all of you to send in your top 5 list of albums for 2009 too!

    Steph:


    There were a number of good EPs that came out this year, but I decided to exclude them from my list to make this tough decision a little easier.

    1. Say Anything (Delux Version) by Say Anything
    Slightly different than their first two albums, Say Anything still has the raw honesty and catchy rock beats that I expect and love from Max Bemis and gang. By far my favorite album of 2009,  I’ve listened to each song on the upward of 20 times. There’s not a bad one in the bunch, including the bonus tracks.

    2. Everybody by Ingrid Michaelson
    Ingrid always brings it with her smooth vocals and the whole album is great. “Soldier” was one of my favorite songs of the year.

    3. Not Without a Fight by New Found Glory
    I wrote a full review about my love for Not Without a Fight but to put it simply, this album combines the best of old NFG and new NFG.

    4. Ratitude by Weezer
    I had to include this album because A. Because of this album, I have a renewed faith in Weezer’s talent post-Blue-Album and B. Their incorporation of diverse genres makes this album genius! (What other rock band does Bali-wood?)

    5. It’s Not Me, It’s You by Lily Allen
    The reason I chose this album is similar to the reason I picked Ratitude. Not only does Lily push the envelope with her feisty lyrics, but she tries interesting things musically and doesn’t box herself in with the pop song “standards”

    Catharine:


    1. Brand New Eyes – Paramore
    I absolutely love all their albums, and this is no exception. Next to All We Know Is Falling, this album was the right progression. Riot! was fun, but this album is genius!

    2. The Fray by The Fray
    My favorite ‘feel good’ album of the year. I never tire of listening to this album and although most can agree a lot of Fray songs sound exactly alike, it’s an amazing sound and I could listen all day!

    3. It’s Not Me, It’s You by Lily Allen
    What’s not to like about Lily Allen? Haha! She’s a kickass girl with a truthful mouth. This is an awesome album. My favorite track has got to be “F**k You”.

    4. Fearless Platinum Edition by Taylor Swift
    The re-release of this album made it even better. With 6 brand new songs, it made it feel like a totally new Taylor Swift album. Her music is a guilty pleasure I will proudly announce to the world. She makes falling in love, breaking up, and getting revenge sound so good!

    5. Nothing Personal by All Time Low
    This has got to be my favorite ‘work out’ album of the year. The fun and upbeat songs kept me going for hours at the gym and on long walks!

    Jackie:


    1. Strict Joy by The Swell Season
    The sophomore release from the dynamic Oscar-winning duo of the movie “Once,” this record is simple and poignant. There’s no huge, overproduced mumbo jumbo. It’s piano, it’s guitar, and it’s Markéta Irglová and Glen Hansard’s amazing harmonies. By far my favorite album of the year. It’s still on constant rotation in my car even though I bought it months ago.

    2. Abbey Road (2009 Stereo Remaster) by The Beatles
    If this had been a brand new release, it would have been my number 1 by about a million miles. The last record The Beatles would ever release together, this album has such a diverse collection of songs, it’s hard to even really begin to describe its brilliance. It’s a great representation of the talent of all four Beatles, not just John and Paul. The band definitely “went out with a bang” with this one.

    3. The Fame Monster by Lady Gaga
    Knock her antics and insane outfits all you want. The one thing you can’t say about Lady GaGa is that she’s not original. On her second release she combines a little bit of Abba, a lot of club/dance instrumentals and her usual sexually-infused, woman-empowered lyrics. I was a huge fan of “The Fame” and GaGa didn’t disappoint again with this record.

    4. The Script by The Script
    I had never heard of this band before I saw them on a TV appearance one night. Hailing from Ireland, the band recently opened for U2. Though they may not be extremely original, there is no doubt this is a well-written, diverse and emotional record. If you’ve just been through a breakup, check out “Breakeven” and you’ll find yourself exclaiming “exactly!” throughout the entire track. The lead singer’s voice is also exceptional and surprisingly soulful.

    3. Uplifter by 311
    One of my favorite bands for as long as I can remember, I realized a dream and saw them live this past summer. This band has continued a long line of great records with “Uplifter.” A slightly harder album than some of the past, they still don’t lose their infectious positive message and reggae-based vibe. Nick Hexum and S.A. Martinez have some of the best combined voices I’ve heard. You wouldn’t think their voices would mesh well together but they do, and that’s showcased on this album. This is without a doubt, my “Summer Album” of choice.

    Cassie:


    First of all…I think this is probably a little biased because the albums that came out recently are going to be remembered more…but

    1. Battle Studies by John Mayer

    2. Everybody by Ingrid Michaelson

    3. Fearless by Taylor Swift (don’t deny it)

    4. Say Anything by Say Anything

    5. Brand New Eyes by Paramore

    J-Man:


    1. Billy Talent III by Billy Talent
    I could pretty much listen to Billy Talent’s entire library all the way through without skipping a song. These guys have given me no reason to stop loving them.

    2. The Resistance by Muse
    When you listen to Muse’s new album, it makes you feel like you should be watching something epic and awesome happen. This is the definition of good music.

    3.Welcome to the Masquerade by Thousand Foot Krutch
    Thank you TFK, for not sucking anymore. I’m going to pretend that this and Phenomenon are your only two albums.

    4. Act II: The Father Of Death by The Protomen
    This is the second album in their concept rock opera about Mega Man. You heard me. Rock Opera About Mega Man.

    5. Raditude by Weezer
    Weezer has made another awesomely sing-along-able pop rock album. They are amazing at being mediocre, and I love them for it.

    J-Man’s (dis)Honorable Mentions:

    Ocean Eyes by Owl City
    I hadn’t heard of Owl City till this year, and since first listening to “Fireflies” on XM radio in a sprint store I worked at, he has become one of my favorite artists. The only reason he doesn’t get an official spot is because The Postal Service called and they want their sound back.

    Part Six by MC Chris
    I was listening to Chris before it was the cool thing to do. INDIE CRED. The guy is an absolute emo douchebag, but I can’t stop listening to his awesome brand of hip hop. He got bumped off the list because, seriously, he’s an emo douchebag.

    The Fame Monster by Stefani Joanne Angelina Germanotta
    Somewhere, along my path of absolutely hating Stefani Germanotta, I managed to accidently become a Stefani Germanotta fan. It may have something to do with the numerous amazing covers of her music on youtube, culminating in Cartman doing the best rendition of “Poker Face” in existence. It may have something to do with her amazingly produced catchy music. Either way, she doesn’t make the official list because of her STUPID STUPID STAGE NAME.


  6. Mayday Parade’s Latest Release:

    November 20, 2009 by Jackie

    Mayday Parade’s Latest Release Anywhere But Here

    Mayday Parade albumReleased on October 6, 2009, Anywhere But Here is the third release from Florida-based group, Mayday Parade. Made up of Derek Sanders (lead vocals, keyboard), Jeremy Lenzo (bass guitar, backing vocals), Alex Garcia (lead guitar), Brooks Betts (rhythm guitar) and Jason Bundrick (drums, percussion), Mayday Parade formed in 2006 after the bands Kid Named Chicago and Defining Moment converged.

    “Kids in Love” is an apt title for the first song on Anywhere But Here. The song sounds like something two teenagers in love might be playing in their car as they drive along an isolated road and into their future. Lyrically, the song reflects on those feelings from a person who is no longer a “kid in love;” something 99.9% of the population can probably relate to.

    The title track of the album is fairly self-explanatory, describing a want to escape and be “anywhere but here.”

    Mayday Parade bandIn “The Silence,” Sanders adds a nice effect with his vocals on the lyric “even though the world she loved, it won’t ever be the way it was” at the beginning of the chorus. It mirrors the instrumental back-and-forth of the notes in the background.

    “If You Can’t Live Without Me…Why Aren’t You Dead Yet?” has to be one of the best titled songs my eyes have ever had the pleasure of reading. “I can’t live without you” seems to be one of those lines put out there a lot in relationships and the band makes light of that and twists it to make not just a clever title, but an angst-filled song that matches. The title of this song makes the next one a bit ironic. “Save Your Heart” calls out to a girl to save her heart “for someone worth dying for,” or basically, someone worthy. I’m not sure that this was an intentional juxtaposition of songs on the band’s part, but I find the dichotomy quite entertaining.

    “Get Up” is a fast-paced, audience-participation-needed anthem to all the cities Mayday Parade has visited and pays homage to the greatness of each place. I imagine that when this song is played live, the audience is all on their feet jumping up and down and singing along.

    “I Swear This Time I Mean It” is the stand-out “slow” song/ballad on the album. It actually would have been nice if it had been stuck in a little earlier on the album to add a change in sound, instead of at the end (not to be confused with “The End,” the actual closing track on Anywhere But Here).

    At the risk of being overly blunt, Anywhere But Here is not much of a departure from most of the other music being played on the radio or on a MySpace channel but with that expectation set, the band does what they do very well. It’s a simple, well-written, well-executed, catchy, and very relatable release.

    Rating: (4/5)


  7. Bm Linx’s album Black Entertainment

    November 16, 2009 by Steph

    Bm Linx, Black EntertainmentThe New York City electro-rock band Bm Linx (pronounced B-M Links) recently released their sophomore album Black Entertainment to sustain their relentless touring. Tony Diodore (vocals/guitar), Jonathan Murray (bass), and Andrew Griffiths (drums) have successfully created an album that’s catchy and impressive musically. Bm Linx is part of the recent resurgence of retro electronic bands, joined by other amazing bands like Empire of the Sun and Passion Pit. The album is filled with 80s electronic pop-funk which pervades songs like “123cat” and “Kids on Fire” with synth melodies backed by electronic guitar, drum machines, and drums. The influence of late-90s electro-rock bands like Daft Punk shines through on “Valentine” and “Defender” making these songs insta-catchy, trendy, and dance-worthy.

    I would be remiss, however, to write this band off as a one-note act. Track 2 on the album, “Jimmy Rose” is completely rock like if Green Day and The Killers wrote a track in 1998. “White Limousine,” my personal favorite, and “Understanding Orange” are the folk/classic rock tracks on the album based on finger picked acoustic guitar. The versatility the band displays between influences and ability are pretty astounding.

    Although I have to admit that the band didn’t catch me the first spin around, between the dance beats, guitar riffs, and dark vocals and lyrics, this band seems to have a little something for everyone. And to add to that, I hear they put on an amazing live show. I hope you give them a shot (and maybe a second shot, if need be).

    Rating: (3.5/5)


  8. Paramore’s Latest Release Brand New Eyes

    September 22, 2009 by Jackie

    Paramore-Brand New EyesOn September 29, 2009, Paramore’s latest release is set to rock a store near you. Their highly-anticipated third album since their debut with All We Know is Falling in 2005, this record does not disappoint.

    And just in case you aren’t familiar with this band—which if you aren’t, where have you been my friend?—ok, I jest…moving on to the intro. When Hayley Williams (lead vocals), Josh Farro (lead guitar, backing vocals), Jeremy Davis (bass guitar), Zac Farro (drums), and Taylor York (rhythm guitar) got together in Franklin, Tennessee back in 2004, they formed the Grammy-nominated band known as Paramore.

    Brand New Eyes is an amazing mesh of songs. We’ve all come to know and love the classic power, energy-driven rock sound that Paramore has graced us with songs like “Misery Business” for the past 5 years, but this album has taken the Paramore to a whole new level and has even showcased their softer side. Yes, I did it, I said “softer side.”

    Paramore The record starts out with “Careful,” a bone-rattling rock song that showcases the most powerful range and capabilities of Williams’ voice and the band’s rock sound. I think it’s safe to say that Williams has one of the most unique and rippling voices in the world of music today, and “Careful” puts that amazing voice on parade.

    Brand New Eyes continues with “Ignorance,” which also happens to be the band’s first single off the album, and a song I’m sure you’ve heard on the radio in recent months. I remember the first time I heard “Ignorance” on the radio. I was immediately impressed. I have always been a fan of Paramore but I was immediately jolted with excitement at hearing how their sound had grown and changed since the last album. And since they just finished a world tour with them, I think it’s safe to say this song even has a slight old school, No Doubt-esque sound to it.

    “Playing God” still keeps the quintessential Paramore rock sound but nicely slows down the album’s pace following two such power-packed songs. The echo effect used when Williams’ sings “way I” in the lyric “but the way I see it” is positively beautiful. Don’t be confused by this presence of softness, however. The lyrical edge is ever-present in this tune (i.e. “The next time you point a finger, I might have to bend it back and break it, break it off”).

    “Brick By Brick,” is one of the best examples of the band’s growth in sound and in lyrics over the years. It’s unlike pretty much any other Paramore song I have ever heard and offers a great transition on the album. The bridge utilizes a great combo of Williams’ and Farro’s voices too.

    When “The Only Exception,” came on, I actually thought my iTunes had randomly switched to shuffle and I was listening to “Yellow” by Coldplay. The initial acoustic riff threw me off that much. And make no mistake, though Paramore perfects the angsty, guitar-driven tune, they show on Brand New Eyes that they can do meaningful, ballad-esque tunes just as well. “Looking Up” is a great example of this, combining a great rock sound with lyrics that describe the exhilaration of a new relationship.


  9. Bronze Radio Return’s album Old Time Speaker

    September 3, 2009 by Jackie

    Bronze Radio Return, Source: myspace.com/bronzeradioreturn by Davey WilsonWhen I was sent Old Time Speaker by Bronze Radio Return, I’ll be honest, I had never heard of the band before. I had no idea what to expect from Chris Henderson (lead vocals, guitar), Patrick Fetkowitz (lead guitar), Matt Warner (keys, background vocals), Rob Griffith (drums, background vocals), Bob Tanen (bass, background vocals) and Craig Struble (harmonica) when I opened my iTunes and turned up my speakers one fateful afternoon.

    But from second one, I was impressed. Henderson’s voice was like none I had never heard before. Though it bares similarities to some folk artists, the sound that reverberates off those vocal cords still has a quality all its own. And the music—well the music literally knocked me off my feet (excuse the Michael Jackson reference, may he rest in peace). In a day and age where let’s face it folks, a lot of music sounds oddly similar to the four songs that played it before it on the radio, music that truly stands out can be an extreme rarity.

    The album starts out with “Lo-Fi,” an extremely contagious acoustic guitar/tambourine-based song that is pop, alternative, and folk all at the same time. Next, follows “Digital Love” which was interestingly made to sound as if the music was coming out of none other than the speakers of a Lo-Fi stereo. That effect adds a really nice classic touch to a song that has a strong reggae vibe to it. The harmonies that this band has on the majority of the record, rival that of a church choir but instead are done in such a cool, folksy kind of way, they completely stand apart.

    Old Time Speaker is not just a rarity, however. It’s good. Darn good. It has a perfect mix of songs to get you up on your feet, songs that you’ll find yourself singing in the shower, car and at work for the next week, mellow songs you could sit out in the backyard and listen to with your friends whilst a cool beverage makes its way down your throat, and songs that will make you want to purchase your very own acoustic guitar.

    If you’re looking for unique and if you’re looking for quality, look no further than Bronze Radio Return.