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Posts Tagged ‘Sasquatch’

  1. SQUATCHING: Wild Flag

    June 6, 2012 by Marwood

    Wild Flag Sasquatch Festival 2012 1

    Wild Flag strut their guitar-hero poses and play an enthusiastic brand of rock that sounds more Sleater Kinney-esque live than it does on record. Despite her presence, they’re not just Carrie Brownstein’s band, and it falls to co-vocalist Mary Timony to delivery the first truly funny line of the day, when she explains how glad they are “to be here in this Whitesnake wind-tunnel video.”

    Wild Flag Sasquatch Festival 2012 2

    The band play energetic rock with real weight and fuzz, and with none of punk’s fear of guitar solos. Well-worked harmonies and solid tunes, such as the punk-pop ‘Romance,’ stop things becoming overly heavy, and overall they represent a beacon of energy in the sea of earnestness that risks flooding the smaller stages.

    Wild Flag Sasquatch Festival 2012 2

    Wild Flag Sasquatch Festival 2012 3


  2. SQUATCHING: HoneyHoney

    May 24, 2012 by Dave

    Honeyhoney – Ohio by buzzbands

    HoneyHoney will be one of the very first band’s performing at Sasquatch this year and I couldn’t be more excited.  They hold a special place in my heart hailing from my old home of Venice Beach.  Singer Suzanne Santo and guitarist Ben Jaffe bring a unique sound with a skillful combination of jazz, soul, bluegrass and rock with a hit of old fashion wild west country.   With fiddles and banjos just as much incorporated in their music as heavy guitars and soulful vocals it’s hard to place this group into one classification.  HoneyHoney’s genre spanning sound is not something to be missed.


  3. Sasquatch Through the Lens of Dave

    July 5, 2011 by Dave

    After seeing the lineup of Sasquatch this year I almost wanted to ditch that whole “photographer” gig and just go as a fan.  A fan of so many bands throwing down at the festival that I wanted to stay and watch each act to the end (a luxury not given to those who have 50 bands to cover and only the first 10-15 minutes or so of each performance to shoot).  Their songs had penetrated my most often selected playlists and had often sound-tracked my long days editing content at Amazon or bike rides through Venice and since the move, Seattle. Obviously my love for my craft led me to the right decision.  Packing my camera gear, Hilary, a tent, and some basic supplies we headed out across the state to hit what I consider to be the greatest music venue I’ve ever had the pleasure of experiencing.

    We arrived at the festival only to find out that the campground area of the
    Gorge had filled to capacity (something about overbooking the festival by some 1500 people) and we were to be camped in a parking lot close to the entrance. We drove out over the long bladed grass, parked and began setting up camp.  It was game time, in the next 4 days we would cover 50 unique and dynamic groups across 4 stages at the edge of some of the most beautiful scenery one could ask for.

    Foo Fighters
    Black Joe Lewis and the Honeybears
    Wye Oak
    Dan Mangen
    Talk Demonic
    The Thermals
    Aloe Blacc
    !!!

    (more…)


  4. Sasquatch: Sleigh Bells

    June 24, 2011 by Ross

     

    To be completely honest, I did not know what to expect from the Sleigh Bells. I was worried that picking Sleigh Bells over Death Cab for Cutie would haunt my memories of Sasquatch 2011 forever.  The Banana Shack was full to capacity and after a thirty-minute wait because of technical difficulties, the lights turned off and Derek Miller began blasting guitar riffs of “Iron Man” that energized the youthful crowd. Lead singer Alexis Krauss would help Miller with her dynamic vocals and her ability to hypnotize the body and force it to dance. Within the first three songs of their set, I could not help but to dance and fall in love with this noise pop duo. The combination of Miller and Krauss with the light show and Sasquatch crowd was perfect. “Crown on the Ground” is still ringing in my head and I hope it never leaves.

    Listen to “Crown on the Ground”:


  5. Sasquatch: The Antlers

    June 24, 2011 by Ross

    The Antlers by Ernest A. Jasmin (weeklyvolcano.com)

    The Antlers by Ernest A. Jasmin (weeklyvolcano.com)

    One performance I thought was one of the best-kept secrets at Sasquatch was The Antlers. While the majority people where at Iron & Wine, I stuck around the Bigfoot Stage to see what this Brooklyn indie rock group had to offer.

    The Antlers brought the heat with incredible instrumentals especially from Darby Cicci on the keyboards. The organ-like sounds flowed perfectly with Peter Silberman’s vocals creating the perfect mood. The set was a great way to start the night performances. Performing their single “Two” for their final song was the cherry on top of the sundae for me. Overall, I loved every second of the Antlers’ set.

    Listen to “Two”:


  6. Sasquatch: Head Like a Kite

    June 23, 2011 by Hilary

    Head Like a Kite by David Endicott

    Head Like a Kite by David Endicott

    When a performer walks onto a stage wearing a white flared jumpsuit and a red boa about their neck, you aren’t quite sure what to expect.  However, the real intrigue began after the music started to play.  Unable to pigeonhole Head Like a Kite into a genre, I will describe it as: Funk/Hip-Hop/Electronica/Indie/Rock/Pop.  The leader of this curious small symphony of sounds, Seattle native Dave Einmo commanded the audience’s attention.  Known for sampling his own instrumentals into layers of different harmonies, his performance is often described as magical.   This was no exception.  With special guests including Tilson and a dancing panda, the afternoon lull quickly turned into a dance party, fog machine and all.

    Listen to “Wrong Side of a Sunrise”:


  7. Sasquatch: Flogging Molly

    June 23, 2011 by Hilary

    Flogging Molly by David Endicott

    Flogging Molly by David Endicott

    This particular show had been over ten years in the making for me, ever since the debut of Swagger in 2000.  In the years since, for some reason or another, I have missed seeing Flogging Molly.  Not that I haven’t had my chances, this band spends the majority of their time on tour amidst their fans.  Throughout the years they have evolved from more than an old world Celtic/punk fusion; with their more recent album Float they finally have brought a sense of harmony as well as maturity to the music.

    Speaking of peace in Ireland and the world, their political messages both in the music and displayed through the images on either side of the stage were poignant and powerful.  I soaked in my view from the main floor of both the stage and Gorge below, shoulder to shoulder with throngs of excited fans; the air was electric.  Irish flags waved proudly, and with happy determination this band proved how much they truly love the music and fans.  Performing their recent single “Don’t Shut ‘Em Down”, they addressed the widespread unemployment, ever advocates of the working class.  In the decade since their beginning, the force behind this enigmatic family of musicians has only increased.  With a growing fan base and an ever-evolving sound, Flogging Molly continues to provoke thought and action through their music.  Worth the wait, the time passed much too fast…. and in a blink of an eye I found myself anticipating future shows, hoping it wouldn’t be another ten years.

    Listen to “Don’t Shut ‘Em Down”:


  8. Sasquatch: Macklemore and Ryan Lewis

    June 23, 2011 by Hilary

     

    It is rare to find an artist who is able to both make a spectacle of themselves and deliver a genuine message.  Somewhere between the David Bowie adorned jean jacket (he glued the fringe on himself), and speaking seriously about addiction… emerged Macklemore.

    He managed to bring the crowd with him back to Seattle, back to the 80s, and most importantly back to life during the waning afternoon of day four.  Mind you most of the mob had not seen a day in said illustrious era, but there they were in a sea of fanny packs and neon hats, hands in the air, moving in unison to the infectious rhythm and heartfelt lyrics.  With a dynamic stage presence (made most evident during his ever popular song “And We Danced”), and a spirited performance by both he and Ryan Lewis, this was most decidedly one of my favorite shows at Sasquatch.

    Listen to “The Town”:


  9. Sasquatch: Reggie Watts

    June 22, 2011 by Hilary

    Reggie Watts by David Endicott

    Reggie Watts by David Endicott

    With sounds the human mouth doesn’t normally emit, musical styling beyond his time, and a flurry of comedy came Reggie Watts.  Watching this man perform was an event to say the least.  This fusion of humor, beatboxing, and imaginative vocals created a unique experience for the packed audience.  Not knowing what would come out of this man’s mouth next was the most glorious part of the performance.  There was only one problem.  Within 20 minutes this man seemed to draw nearly half of Sasquatch to the smallest stage area at the Gorge, and had people spilling out of the building across the way, peering eagerly through the masses just to catch a glimpse.

    Listen to “Thus Far (Alternate)”