With a recommendation from a great publicist and a ringing endorsement from a great blogger friend, I don’t think I can skip posting about this upcoming show. Not to mention, this video with The Bridge Sessions is convincing enough for instant fandom.
The quartet, featuring Andrew and Brad Barr along with harpist Sarah Page and multi-instrumentalist Andres Vial, has an easy-going summer evening vibe. Alt-country/indie-folk by genre they’d slot well alongside Dawes or The Avett Brothers. Their debut album will be out on September 27th on Secret City Records, but rather than waiting for the album, I’d highly recommend going to see them live on September 21st at The El Rey.
My first impression of Summer Camp left something to be desired. It was on The Rumble Tour in LA and amidst a whole host of technical problems the hipsters’ still managed to gawk and awh at this buzz-drenched Brit band.
Upon reconsidering my opinion and then falling in love with the track “I Want You,” I am now completely excited for their debut full-length Welcome To Condale. It’ll be out on November 8th via Summer Camp’s Apricot Records (an imprint of Moshi Moshi). The track below “Better Off Without You” will be officially out on September 13th, but you can listen now below.
Whether it compares with the numerous other “Better Off Without You”s? (Jarrod Gorbell, The Clarks, Emmylou Harris, Zornik,…) Leave it in the comments.
Somehow Blink-182 released a new single and I missed it. Well, until right now anyway. Did you know I am a Blink-182 fan? I am a huge Blink-182 fan. I was 14-year-old-girl-giddy when Pandora played “Up All Night” for me.
My first impression is that this sounds like the logical next-step from their last venture as a band, which is exactly what I wanted to hear. Their self-titled album, which dropped all the way back in 2003, showed a band that was maturing as its members aged (you can’t always play three power chords and sing about how parents suck), and I was anxious to see where they were going when they fell apart.
The things that happened in the aftermath were stagnant at best. (more…)
August 15 @ Origami Vinyl In-Store
August 16 @ Hotel Café
The quintet The Wilderness of Manitoba just released the album When You Left The Fire and now they’re out on the road touring. Dueling guy/girl vocal harmonies between lead vocalist Will Whitwham and back-up singer Melissa Dalton are a great match for their indie folk instrumentation. Although they are from Toronto, Ontario and not Manitoba at all, their sound is that of wilderness, drawing similarities to Vancouver/Pacific Northwest bands like The Head and the Heart and Said the Whale.
Check them out in Los Angeles next week! They’ll be free at Origami Vinyl on Monday and cheap at Hotel Cafe on Tuesday.
Their video for “Orono Park” was video of the day on Spinner…
While Orange County tends to be known for the pop punk, screamo, emo, and other mosh-inducing genres that thrive at renowned venues like Chain Reaction in Anaheim, the second annual Pacific Festival: OC is doing it’s best to battle the stereotypes. For the second year, the festival will be conjuring an “upscale” music event, featuring artists of all genres as well as a wide range of food and drinks, art installations, and local business vendors. While last year the festival found a home in the small courtyard and venues of the Triangle Square complex in Costa Mesa, this year the rising event will set up camp in Oak Canyon Ranch in Irvine. It’s nestled in the Santa Ana Mountains where there are over one hundred acres that border the old reservoir and are surrounded by hills, oak trees, a little pond, and a big lake. Sounds like a perfect spot for over 50 artists and 14 hours of music on 5 stages.
Headlining acts include the illustrious hip-hop mainstay and Long Beach resident Snoop Dog, Atlanta blues-tinged garage rock quartet Black Lips, internationally renowned Australian “indietronic” trio Cut Copy, and Newport-Beach-raised electro/house musician, producer, and label-founder Steve Aoki. Even just judging by those four, it’s easy to see the organizers have done a good job of balancing the genres on the bill. You will find a fair amount of DJs, house, and dance musicians, including France’s dance musician Alan Braxe, British electronic group Zoot Woman, and French house producer Fred Falke, but they’ve also pulled in some great indie acts like The Growlers, Phantogram, Superhumanoids, and Hanni El Khatib. …And then there’s Afroman, who will get his own category entirely.
Whether house or rock or somewhere in between, the festival has done a great job of showcasing the local talent. As you’re preparing to head to Pacific Festival this weekend, take a minute to preview a few of the great Southern California acts that will be in attendance.
Superhumanoids @superhumanoids (1:45-2:45 p.m. @ PACIFIC STAGE)
Self-described as “music to help kiss the doldrums away,” the Los Angeles quartet Superhumanoids “makes dreamy pop that shouts summery ’60s harmonies, garage rock’s raw tonality, slick new-wave electronics, and the adventurous dissonance of ’90s indie rock.” Cameron, Sarah, Max, and Evan have together released two EPs (Urgency, July 13, 2010 and Paradise Paradise, April 12, 2011) and a two-track 7-inch, released on June 21, 2011.
Hanni El Khatib @hannielkhatib (4:35-5:35 @ PACIFIC STAGE)
Los Angeles multi-instrumentalist/singer/songwriter/producer Hanni El Khatib is totally off the beaten path and not what you would expect from the name. He’s the son of Palestinian and Filipino immigrants and his music is inspired by his obsession with classic Americana and pop culture of the 1950s and 60s mixed with his past as an avid skateboarder. To borrow (and alter) how the bio describes the band, “his sound is like the rock soundtrack to a glass-shattering knife-wielding dirty bar brawl between…” Clint Eastwood and Black Lips. Khatib’s debut full-length Will The Guns Come Out will be released on September 27th on Innovative Leisure.
The Growlers @theGROWLERS (2:10-3:10 p.m. @ MAIN STAGE)
The Growlers from Costa Mesa are exactly what you might expect from an Orange County band 50 years ago. They’re a lot of 60s surf rock, a good helping of classic rock n’ roll, and a pinch of “pre-punk.” They claim to explore everything from “ice-flossing hip-hop to psychedelic rock.” The second I have to see.
American Royalty @AMRCNRYLTY (3:10-4:10 @ PACIFIC STAGE)
American Royalty is not a 30 second listen. They should not be easily slotted into genre A or B, which may make them a bit less palatable to some, but they kick major ass. The Los Angeles 3-pieces fuses psychedelic rock, electronic house, indie rock sensibilities, and harmonies of front men Billy Scher and Marc Gilfry. For what would normally be a complete disaster, American Royalty’s innovation is a stroke of genius. “Guitars, samplers, 2 singers, drums, synths, whiskey, beer…A never ending showdown of genres.” Can’t wait to see these guys live.
Poolside @poolside_music (4:35-5:35 @ LAKESIDE)
Created in their pool house/recording studio, the Los Angeles friends Filip “Turbotito” Nikolic (of Ima Robot) and Jeffrey Paradise make sweet hazy dream pop electro. It sounds like an afternoon pool party or, as they so aptly describe, “day time disco.” The perfect noise to listen to lakeside at Pacific Festival.
Brady Miller (Wyo Stars) (12:55-1:45 p.m. @ Main Stage)
Miller calls himself a weird dude. He’s played in a million bands, including Wyo Stars, and has been a touring member of Money Mark. He made some music in the dark abyss of his home studio, which he’s debuting at Pacific Festival. He’ll be releasing some of the music he’s recorded as his first solo record in the near future, but only a select few (and by that I mean the thousands at the fest) will have the chance to say they saw his first show. Some looping, filtered vocals, feedback, and pedals, add some talent and ingenuity, and I’d say we’re looking forward to a pretty solid show.
AROD @gottadancedirty (11 AM – 12:45 PM @ LAKESIDE)
To represent a bit of the DJ scene that will be prevalent at Pacific Fest, I’ve picked out one of my favorite DJ’s from the Southland on the lineup. From Santa Barbara and an editor and DJ for the blog Gotta Dancy Dirty, AROD avoids the classic house- and trance-like clichés with the repetitive beats and runs more along the lines of what he considers to be a fusion of “French house, dance punk and electroclash sounds of the early 2000s.” He’s innovative and creates completely dance-inducing beats, using vocal samples to support the melody. Makes perfect sense that he’s opened for Temper Trap, Sleigh Bells, Delorean, and Glass Candy. “His defining electronic dance music moment came in the 7th grade when he stole his big sister’s New Order t-shirt, wore it proudly to class & made all the goth girls swoon.”
Los Angeles’ shoegaze-y electronic rock band Letting Up Despite Great Faults have a new EP Paper Crush coming out on August 2nd on Old Flame Records.the band is the brainchild of founder member Mike Lee. Starting with piano, bass and guitar, Lee started exploring sampling and sequencing after rooming with two DJs in college. Lee along with band mates Kent Zambrana, Chris Gregory, Matt Salas, and Caitlin Dwyer, as a live band integrate electronic and acoustic drums on stage. You can catch them live at The Echo in LA on Monday on Active Child’s residency. If you’re awesome, I’ll see you there!
Portland’s Johanna Kunin’s vocals are strong and firm. In “Hidden Systems” Johanna, along with various other musicians under the moniker Bright Archer, tells the story of nature, history, and love as a lullaby of powerful and dynamic proportions. The song is from the Bright Archer’s recent release Hidden Systems.
With Hidden Systems out now, Bright Archer will be touring the West Coast this August, performing at Los Angeles’ Bardot on Monday, August 22nd.
08.19.11 – Seattle, WA @ Fremont Abbey for Songs About Books
08.20.11 – Davis, CA @ Sophia’s Thai Kitchen
08.21.11 – San Francisco, CA @ Hemlock Tavern
08.22.11 – Los Angeles, CA @ Bardot
08.24.11 – Tucson, AZ @ Plush
08.27.11 – Denver, CO @ The Meadowlark
08.28.11 – Salt Lake City, UT @ Urban Lounge
08.29.11 – Boise, ID @ Visual Arts Collective
08.30.11 – Seattle, WA @ Comet Tavern
If you’re going to be on the West Side tomorrow night, come check out “Chicks That Bang” with Correatown, Kissing Cousins and a personal favorite Tic Tic Boom! at Central SAPC in Santa Monica.
The night will be filled with some lovely female musicians and some awesome dude musicians as well. Doors at 9 and $5. DO IT and you won’t regret it.
If your as big of a fan of this British folk pop duo as I am, you’ll be thrilled to hear that on Turntable.fm Tomorrow at 11 am PST they will be debuting tracks from their upcoming album Paradise (Moshi Moshi Records) in the Paste Magazine Room. Their debut full-length Yeah, So came out in March of last year and was easily one of my top favorite records of the year. With a sweet sense of folky nostalgia, gorgeous guy/girl harmonies, and bittersweet lyrics, Yeah, So is completely captivating. Paradise will be out on September 13th so here’s to hoping that Slow Club’s sophomore release will continue my love affair. See you on turntable.fm tomorrow!
As of tomorrow, the single from the record “Two Cousins” (video below) will be available to buy on iTunes.
