Quantcast

May, 2010

  1. The Blue Pages’ EP Nighthawke

    May 22, 2010 by Anna

    There’s no doubt about it, The Blue Pages are definitely working hard to make themselves known.  The band’s constant touring and promotional efforts have earned them appearances with acts like Panic! At the Disco, A Rocket to the Moon, and Passion Pit as well as a few shows on the 2009 Vans Warped Tour. With such a hectic schedule, it’s a wonder they even had the time to release their new EP Nighthawke.

    This album will have you dancing or maybe just unconsciously bobbing your head to the infectious beats of every track. While their single, “Lil Mama” exudes energy and establishes the band’s lighthearted sound, I found myself more impressed by tracks like “Say it Again,” which illuminates lead singer Zac Barnett’s vocal capabilities, showing off his falsetto while maintaining the vocal intensity that drives the song.  Barnett’s display vocal range accompanies quirky lyrics like “You know I’m sensitive…but we can’t get down with our clothes on.” Another stand out was “Slow Down,” a track with an intro that is probably the most interesting ten seconds on the entire album.  However, while the song begins with a unique sound, it quickly transitions into having the same monotony in rhythm that characterizes the tracks before it.

    All the songs on this album sound so much alike, it becomes difficult to distinguish one from the other.  But whether you call it cohesive or lacking creativity, there’s no denying that this album is a fun and promising display of The Blue Pages’ musical abilities.

    Rating: (2.0/5)


  2. Wakey! Wakey! Warms You Up Like Morning Coffee

    by A2S

    Wakey! Wakey!

    While some may say that this record is a little glossy, that it’s a bit too pop, I am of the firm opinion that there is nothing wrong with a good pop record. While “Car Crash ” is a little Broadway for my taste and the closing track, “Take It Like a Man” is a strange mix of genres, overall the album gives me the warm and fuzzies. Entitled Almost Everything I Wish I’d Said The Last Time I Saw You…, the record has a major theme of love lost, and who can’t relate to that?

    The opening track “Almost Everything” starts with a tinkling piano, segues into thumping bass drum with strings, and then Mike Grubb’s bright vocals shine above the beat. The lyrics mirror the upbeat tune in their optimism, with the chorus repeating “See it feels bad now, but it’s gonna get better.” The album doesn’t breathe a boring breathe before launching into another hit. “The Oh Song,” is taken over by a pulsing bass beat with a grungy melody and, as you might guess, lots of “ohs.” On the softer side, Grubbs melts your heart with “Dance So Good” singing, “Sometimes I wonder how you stay so sad when you’re so beautitul.” (On a side note, Mike Grubbs, who happens to also be an actor on The CW’s One Tree Hill performed this song on the show last week. Does that make you love him more or less? I haven’t decided for myself…)

    As for the rest of the album, this is not your typical piano-driven pop record. For example, the dancey piano in “Twenty Two” is complemented by whistles and “Feral Love” sings about goin’ crazy (in bed!). Each song surprises and enchants you with Grubbs’ sweet vocals and swelling piano. I have listened to this record about 5 times through and I’m not tired of it yet!

    Rating: (4/5)


  3. Miniature Tigers’ single Gold Skull

    May 18, 2010 by A2S

    Miniature Tigers, FortressSo I’m incredibly excited about having just received Miniature Tigers’ upcoming sophomore release Fortress. I will be posting a review of the new album as soon as possible but for now, I can’t tell you anything! Super hush hush!

    Although I’ve been sworn to absolute secrecy, I can tell you that you can check out their debut single “Gold Skull” here:

    Miniature Tiger’s single Gold Skull

    And they’ll be touring with Free Energy if you want to catch them live:

    5/26/10 Cambridge MA  Middle East
    5/27/10 Hamden CT  The Space
    5/28/10 Philadelphia PA  First Unitarian Church
    5/29/10 New York NY  Bowery Ballroom
    5/30/10 Washington DC  Rock And Roll Hotel
    6/1/10 Chapel Hill NC  Local 506
    6/2/10 Charlotte NC  Snug Harbor
    6/3/10 Atlanta  GA  The Star Bar
    6/5/10 Houston TX  Eleanor Tinsley Park
    6/6/10 McAllen TX  Cine El Rey Theaer
    8/6/10 Chicago IL  Lollapalooza

    More to come soon!


  4. The Morning Benders’ album Big Echo

    May 12, 2010 by Anna

    Big Echo

    Let’s knock a few basics out of the way first: yes, this album was produced by Grizzly Bear’s Chris Taylor, and yes, the Grizzly Bear influence is quite obvious.  Big Echo shows The Morning Benders utilizing Grizzly Bear’s hazy, organic sound in an effort to abandon the mediocre indie rock sound that embodied their debut album.  Despite Taylor’s influence, The Morning Benders have managed to create an album that stands well on its own, allowing the band to establish its unique presence.

    Big Echo opens with “Excuses,” a track that wastes no time introducing The Benders’ dreamy, yet larger than life sound. Its brilliant layering of orchestration and vocals conjures energy enough to make it an automatic favorite.  The album continues to impress with the funky and catchy “Promises” which is memorable for its killer intro alone and later with “Wet Cement” in which the band perfectly juxtaposes sweet vocals with thumping percussion and bass lines. Just when listeners have found themselves caught in the dream-like haze induced by the previous tracks, “Cold War” changes the pace, boasting of an upbeat, feel-good sound complete with handclaps and a memorable chorus.  However, the track’s high-energy quality is short-lived as the song quickly transitions into the more tranquil half of the album.

    This latter half is undoubtedly less impressive as tracks like “Mason Jar,” “All Day Day Light,” and “Stitches” show the band losing direction, creating tracks that are more lazy than serene and lack melodies worth remembering. Despite the dragging feeling of the second half, it still contains the quirky quality that makes the album intriguing.  Tracks like “Pleasure Sighs,” which uses abrupt pauses and excellent harmonies to create depth, and “Hands Me Down” which boasts of intensity from start to finish display the band’s innovative abilities. The album closes with “Sleeping In,” a song that embodies both the big sound of the album’s first half and the tranquil sound of its second.  However, like many of the other tracks, the song transitions from quiet and dreamy to loud and distorted, making it quite predictable.

    The Morning Benders

    Despite a few misses in the second half of the album, Big Echo is a charming display of The Morning Benders’ musical direction.  Its experimental yet logically orchestrated quality establishes the band’s ability to create an organic sound while maintaining a clean presentation.  Big Echo is by no means the most brilliant work out there, but it is a commendable display of The Morning Benders’ huge potential.

    Rating: (3.5/5)


  5. The Bout’ Damn Time Tour

    May 2, 2010 by Charitie

    May 1, 2010 in Seattle, Washington. Photos Taken By Charitie Myers.