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February, 2010

  1. Jonah Matranga & Kevin Seconds Split 7-inch

    February 25, 2010 by A2S

    Jonah Matranga, source: fanpop.com

    Jonah Matranga

    The split 7-inch from Jonah Matranga and Kevin Seconds is an interesting mix of tracks. Both artists have an extensive music-making history. Matranga was part of the emocore rock group Far from ’91-’98 After, he released solo music under the name onelinedrawing until 2004 and now performs and records under his own name. Kevin Seconds founded the influential hardcore punk band 7 Seconds in 1979 and began releasing solo material in ’89. Kevin and Jonah released a split together before—last time was a 4-way split with Anton Barbeau and Kepi Ghoulie in 2002.  It comes as no surprise that the two would want to release another split 7-inch together on Blacktop Records.

    Jonah Matranga, source: ch.last.fm

    Jonah Matranga

    The first track is quite a surprise. An electro-hip-hop track called “I’ve Always Wanted To Write A Song Commanding People To Dance!” by Matranga opens with the line, “Hey there little hipster boy, put away the flat iron and give me some joy.” The track is dominated by heavy electronic beats littered with catchy keyboard loops and Jonah’s filtered vocals singing a chorus of, “There’s a guy with a gun to your head that says you’re dead if you don’t dance.” While totally out ofcharacter for Jonah (as can be seen by track 2, a typical Matranga-style song), from this song you’d wonder if he weren’t DJ Matranga. Seemingly an indulgent and ironic song, the beats do command you to dance and with lyrics about guns, hipsters, and flat irons, there’s no reason for this song to be a “guilty” pleasure.

    Track two, Matranga’s “Daylight” is a finger-picked acoustic guitar track with sweet, echoed vocals. It could be confused with a lullaby, except the chorus is strained and gives the song a sense of sorrowful urgency. A gorgeous sad song, Jonah has created the most opposite songs as possible for his half of the 7-inch. And excelled at both!

    Kevin Seconds, source: myspace.com/kseconds

    Kevin Seconds

    Kevin’s two tracks are more straightforward.  Folk songs through-and-through, “Grip On Yr Own” and “Life Unknown” are instant American classics. The latter of the two has hint of Irish influence as well, with similarities to Flogging Molly’s “If I Ever Leave This World Alive.” Both have great sing-along harmonies in the chorus’ and while “Grip On Yr Own” prompts a Do-See-Do and “Life Unknown” is a slower story-telling song, both seem to look at life with a big-picture perspective and obviously come from a place of wisdom and life experience, of which Seconds has plenty.

    Kevin Seconds, source: myspace.com/kseconds, photo by Nate Hunt

    Kevin Seconds

    The tracks on this 7-inch split are diverse and cover at least three genres with only four songs. While there’s little cohesion as an album, the songs on their own could make great soundtrack-songs for four distinct experiences. I recommend the album, but I would suggest sticking all the songs on separate playlists for optimal enjoyment.


  2. The Rocket Summer’s album Of Men and Angels

    February 21, 2010 by Anna

    Quick, think of one thing you don’t like about The Rocket Summer…it’s okay, I’ve got nothing either. How could I have anything remotely negative to say about a band (I use that term loosely as there is only one very talented guy behind it by the name of Bryce Avary) whose past albums had titles like “Hello, Good Friend” and “Do You Feel?” Judging from the feel-good album titles alone, The Rocket Summer is not your average pop-rock band.  It aims not for fame and fortune but for a means to spread its message.  While other pop-rock acts sing about romantic relationships and heartbreak, The Rocket Summer takes a more daring approach, offering tracks about appreciating life and self-awareness.  The band aims to spread love and it does just that in Of Men and Angels, its latest album on Island Def Jam records to be released on February 23, 2010.

    I love it when I listen to a song and it changes my perspective of life in a matter of 3 or 4 minutes. I love it even more when there are other songs just like it compiled into one cohesive and well-crafted album like Of Men and Angels.  Bryce Avary truly outdid himself with this one, kicking off the record with “Roses” which boasts of excellent percussion and a larger than life energy that not only embellishes the encouraging lyrics of the track, but also establishes the album’s optimistic tone.

    The album continues to impress with the mellow “Hills and Valleys,” which initially sounds like a ballad and quickly transitions into an upbeat track that highlights Avary’s growth as a vocalist and benefits from the lighthearted feel that handclaps create.  But if this track’s gorgeous piano intro leaves you wanting to listen to something slow and sentimental, then “Walls” is the way to go.  The Rocket Summer broke my heart with this track, in a good way of course.  If not brilliant for the tear-jerking harmonies in the last minute of the song, then “Walls” is great for its perfect inclusion of strings and vocal urgency.

    However, the most memorable tracks on the album are those in which Avary shows his quirkier side.  The choir-like “oohs” and snaps that initiate “Nothing Matters” makes it an immediate favorite, but perhaps what solidifies its genius status is that it has one of the best lines in the whole album, “I know it’s not too sexy but I’m singing ‘bout the blessings we get.”  If that doesn’t get a smile out of you, then “Japanese Exchange Student” will.  A good artist is one that namedrops in a song and gets away with it, but an extraordinary artist can namedrop both Beyonce and Paul McCartney in a song and come away with a track that still has substantial meaning. While the song is lighthearted and silly with lyrics like “Be nice to the Japanese exchange student” and “I love the Japanese, those from Japan and overseas like me,” it inevitably holds a bigger message, like all the tracks on this record, to be accepting of others in general.  How he managed to teach a moral lesson through such unusual means is beyond me, but that is the genius of it.

    This album isn’t much different from The Rocket Summer’s previous work, but I suppose it’s as the old saying goes, “If it ain’t broke, don’t fix it.” While it does have more spiritual and introspective influences, Of Men and Angels stays true to The Rocket Summer’s lively and optimistic style and shows that growth without abandoning musical and lyrical roots is possible.  The Rocket Summer is all about feeling good and spreading love, so it goes without saying that I love the good feeling that I get from this album and you will too.

    Rating: (4.5/5)


  3. Angels & Airwaves’ Love

    February 18, 2010 by J-Man

    picture source - http://en.wikipedia.org/wiki/File:LOVEAVA.JPG

    LOAE?

    When I heard that Angels & Airwaves was releasing another album, my immediate response was, “They’re still together? That’s a shame.” I’ve been incredibly disappointed with Tom DeLonge’s “I’m going to save the world” movement since the first time I got “The Adventure” in my ears. The entire project sounds like a crippled Blink 182, his pretention is so thick its opaque, and his hair is retarded. I mean seriously… what is going on with his hair.

    picture source - http://blog.muchmusic.com/angels-airwaves-vs-blink-182/

    Tom contemplates his horrible wig

    Needless to say, I pressed play on the new album Love with very low expectations. Part of me was desperately hoping that I was going to be surprised by what I heard. That part of me was disappointed. About the album, Mr. DeLonge says, “Things happen unpredictably and take you to these epic soundscapes. It’s very much in the spirit of Angels & Airwaves, but it sounds way, way more thought-out and way more ambitious.” He is mostly lying. If you have listened to previous A&A albums, then you’ve already heard every song on this album. I guess maybe the words are different. He repeats every line a thousand times, so that he can stretch three minutes worth of writing into six minutes of song. There are ambient things happening, to try and justify his use of the word “epic”. Side note: never, ever refer to anything that YOU HAVE MADE as epic. That is a word for OTHER people to use.

    source - http://www.tunesmate.com/blog/angels-and-airwaves-social-media/

    They were serious when they took this picture

    About halfway through the album, I happened across what I had read was the first single. “Hallucinations” sounded like everything else so I skipped it. Then the same song played again so I skipped it as well. I think it was called “The Moon-Atomic” this time. The next track was called “Clever Love”, and I waited for it to start for four minutes, then it ended. The next song was called “Soul Survivor (…2012)” and based on the title alone, I skipped it. For the last two tracks, I skipped immediately to the middle of them to see if anything distinguishable from the rest of the album was happening… it wasn’t.

    Bottom line, this is an Angels & Airwaves album. It is what happens when an artist gets so much money that they no longer think they need to listen to what anyone else says. It sounds exactly like everything else A&A has done, and I guess you’ll like it if you’re one of those kids who takes the time to figure out how to type an upside down “A” when you type their name, but me and you probably won’t ever get along.

    picture source - http://www.starstore.com/acatalog/Starstore_Catalogue_ANGELS_AND_AIRWAVES_POSTER_6730.html

    Still serious.

    They also made a movie with the same title as this album. It’s about an astronaut who meets God after traveling through a wormhole. Also something about the civil war. Tom DeLonge has lost his mind, and I really hope it doesn’t adversely affect the next Blink 182 album.

    Rating: (0.5/5)


  4. Motion City Soundtrack’s My Dinosaur Life is NUTS

    February 12, 2010 by A2S

    Motion City Soundtrack - My Dinosaur Life album coverMy Dinosaur Life is nuts. Clinically. With the lyrics of songs like “Hysteria,” and “Delirium,” and the horror-film style music video for the single “Disappear,” it’s hard not to wonder if Motion City Soundtrack has gone off the deep end. My Dinosaur Life, produced by Blink-182’s Mark Hoppus, is the pop rock we love from MCS, but prepare for an album that’s a bit darker and a whole lot crazier than their previous releases (possibly due to drummer Tony Thaxton’s broken arm and long road to rehabilitation, not knowing when he’d be able to play and the coinciding pressure from making their first major-label [Columbia Records] release).

    The album opens with a kindergarden-esque song “Worker Bee” in whose chorus, frontman Justin Pierre proclaims, “I’ve been a good little worker bee. I deserve a gold star.” Behind this elementary-school chorus, Pierre tells of a shitty year and demands, “I’m through with the old school so lets commence the winning.” Seems like a lot of us can relate to that about 2009.

    After kicking off the album with an optimistic note, the band dives in to stories of self-doubt [“A Lifeless Ordinary (Need a Little Help)”], heartbreaks (“Her Words Destroyed My Planet”), prescription drugs (“Delirium”), and just being pissed off (“@!#?@!”). Tales of, presumably, their “fucked up” last year. Or maybe it’s just a year in the life of a dinosaur…

    Motion City Soundtrack - Photo Courtesy of Blogs.BrowardPalmBeachThe single “Disappear” is a dark, heavy pop rock song backed by heavy drums and minor guitar keys. The lyrics seem to be the ramblings of self-deprecating loner, wrecked by some intangible “you” or maybe everyone as “you.” Justin Pierre cries, “I can disappear/ any time I want to, time I feel you/ shovel through my skin / I am with you till the end.” If you’re hoping to understand this song though the music video, good luck. It depicts a story of a bear-mask-wearing young girl at a lake house with her parents who spots a slime-faced man who chases the family, after which the girl walks away into the mist alone. Although a little puzzling lyrically, the song is catchy will be pulsing through your brain in no time.

    Some of my personal favorites are “Stand Too Close,” “Pulp Fiction,” and the bonus track “So Long Farewell.” “Pulp Fiction” is probably the most similar to what you’re used to from Motion City Soundtrack while “Stand Too Close” is the mellowest on the album with some acoustic guitar and claps. “So Long Farewell” is a gorgeous track with falsetto harmonies and light acoustic guitar and drums.

    My Dinosaur Life is crazy but grounded; it’s musically daring and emotionally provocative. If you’ve had a rough year, if sometimes you just feel nuts, or if you want to sing “You all need to go away, you muthafukkas!” at the top of your lungs, you’ll enjoy this album.

    Rating: (4/5)


  5. Chaser’s album The Big Picture

    February 2, 2010 by J-Man

    Chaser - The Big Picture Album Cover - http://chaser.bigcartel.com/product/the-big-pictureThere’s a punk band out of Orange County called Chaser that’s been kicking around doing their thing since 2002. They’ve already released two CDs, and will be releasing their newest venture, The Big Picture, on February 16th.

    The band went into this album with a brand new outlook on life. After becoming a father, front man Mike LeDonne found himself with a new, more positive spin on the world he lives in, and he carried that perspective throughout the writing process on The Big Picture. Every song gravitates around the concept of figuring out what really matters in life, and finding the silver lining in the storm clouds that too often darken our days.

    Chaser Promo - http://www.myspace.com/chaserThe album opens with the title track, which lyrically sums up everything I just said about the album. Musically, this song also sets the stage for everything else you’re about to hear. It’s punk. There’s nothing new, nothing exciting… it’s just punk. Drummer Josh Millican falls into the punk-o-matic trap of using the D-Beat relentlessly throughout The Big Picture, and the guitar/bass riffs and solos (supplied by Cameron Denning, Nate Warner, and Jesse Stopnitzky respectively), although handled by obviously talented musicians, are interchangeable between songs. A couple of songs tried to trick me into thinking otherwise with inspired intros (the first ten seconds of “Actions to Ashes” wakes you up with a primal scream and some metalicious guitar shredding) but most of them, disappointingly, melted into cookie-cutter punk songs shortly thereafter. Although most punk fans will not be bothered by this, it made the album a bit boring for me to listen to.

    Also lending to my struggle to pay attention to what was happening were the extremely tired sounding vocals. You come to expect a certain strength from your lead vocalist when listening to punk, and that is just not present on this album. Lines that almost beg for some punch, some excitement, (“No no no no never again” in “Nevermore”) fall flat and rob the songs of their potency. This could very easily be a problem that is nonexistent live, it can be hard to muster up that raw energy in a recording booth, but it hurts the album a great deal.

    Chaser Promo - http://www.myspace.com/chaserOn the up side of things, which is what this album is all about, cookie-cutter does not necessarily mean bad. If you are a punk fan, and you are looking to expand your punk library, this album is probably a cookie that you will enjoy. As a bonus, you’ll be able to listen to music that doesn’t base its lyrical content solely on calling George Bush the devil. I was pleasantly surprised to hear a Ska breakdown in the middle of “In This Together” that featured a vocalist who seemed a bit more comfortable singing in a studio. (I couldn’t find his name specifically credited to the song, but I believe it is Jason Devore of Authority Zero. LeDonne has mentioned that they worked with a number of guest musicians on this album.)  ”My Promise”, an acoustic ballad that I can safely assume was written for Ledonne’s daughter, also provides a nice little breather, and ends with a phone call between the two of them that just might bring a tear to your eye.

    All in all, The Big Picture fails to bring anything revolutionary to the table, won’t shock you with amazing vocals or deep, thought provoking lyrics, but wouldn’t be a bad addition to your punk library, if that happens to be a thing that you have. Look for Chaser to hit your town with Guttermouth. The tour kicks off on Februrary 5th in San Luis Obispo.

    Rating: (1/5)