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April, 2009

  1. Odis’s new album Feel

    April 30, 2009 by Jackie

    Named for famed soul singer Otis Redding, Odis hails from Dallas, Texas (and made sure to remove a “t” and insert a “d” into their name specifically for their hometown).

    Odis members Larry Gayao (vocals), Rob Bastien (guitar), Bristen Phillips (Bass), and Mike Peters (drums) had already established a local following from their live performances when they released their debut album, Feel in March 2008.

    The songs on Feel are reminiscent of an older style of rock, with a heavy focus on guitar riffs.

    Gayao may not have the best vocals ever laid down on an album, but his voice is certainly unique, with its gruff mix of rock edge and a little bit of country twang mixed in. He literally sounds “a little bit country, and a little bit rock n’ roll.” If Dallas’s dual personalities could be represented by a vocalist’s singing style, Gayao would be it.

    The lyrics themselves are fairly simple and straightforward, with a lot of chorus repetition throughout the album in songs like “The Hardest Part.”  “The hardest part of losing you girl is knowing that I’m going to need you” is repeated at the beginning, the middle, and the end.

    “I’m Not Coming” offers a refreshing detour from the other songs on the album, choosing to focus less on guitar and instead adding in some heavy drums, tambourine, and a seasoning of funk. “Troubled Soul” also makes a departure and takes a much more sinister and soulful approach, showcasing Gayao’s ability to do a different style of singing and making their band’s namesake seem more fitting than any other song on the album.

     Unfortunately, most of Odis’s songs are not terribly original in their arrangements or style. Songs like “Feel” feel more like a bar anthem rather than a rock anthem. 

    There’s one thing that cannot be denied about Odis’s debut album though: it’s catchy as hell. Even after only one listen of the album, you’ll find yourself humming “Lie to Me” and “It’s a Shame” (I know cause I did). There is no doubt that Odis’s music is “fun” in the truest sense of the word and can inspire even the shyest of concert or bar goers to stand up and dance for a song or two (with or without the influence of alcohol).


  2. Bamboozle Left Festival

    April 20, 2009 by A2S

    The Cab, source: myspace.com/the cab, Jackie Butler

    Bamboozle Left

    The sun was shining in the Golden State at the Verizon Wireless Ampitheater in Irvine, California for Bamboozle Left. A long line of teenagers twisted out of the venue entrance and around the parking lot wrapping in front of the empty water park next door. Once inside, these kids swarmed the grass and cement in jeans, shirts, skirts, heels, vans, beaters, fishnets, tutus, headbands, and tattoos. My plan for the day involved running all over the grounds from stage to stage in the hopes to see everyone I came for.
    Forever the Sickest Kids, source: myspace.com/foreverthesickestkids

    After checking out the layout, I wandered over to the Imagination stage to see The Cab play their set. The crowd was pretty stagnant except some peppered throughout the crowd mouthing along. The Cab boys on stage seemed to be performing a show that cast them as teenage heartthrob divas. Dancing and high tenor vocals interjected over simple guitar riffs and basic beats created a young rock-funk that was entertaining but seemed inauthentic.

    Forever the Sickest Kids performed next on the adjacent main stage and this is one of the bands that motivated my attendance at the event. Always full of dance-provoking beats, fun synth melodies and catchy guitar riffs, their set was everything I hoped for. They played songs off their year-old full-length Underdog Alma Mater, like “My Worst Nightmare” and “The Way She Moves” but also made sure to reward their fans that had followed them for their short two years of existence with songs like “Becky Starz.” With two guys on guitar, one on bass, one on the keyboard, a drummer, a lead singer and three mics between them, this sextet is a band made up of hard work, chance, and a good time.

    Having read their name floating around Myspace, I decided to check out Artist vs. Poet on one of the smaller stages. This techno-infused pop rock led by a typical pop vocalist seemed to catch the attention of a small crowd. Many of the teen girls that gathered knew the songs by heart and sang loud to the boys’ sideways bangs and head-banging. Songs varied along a spectrum of how much pre-recorded synth they included but all of them were relatively catchy, especially “Run Away,” a crowd favorite.
    Say It Twice, Steph

    Walking down the pathway I was scoping out the vendors as a band’s song caught my ear. It seemed like the real boy in a room full of dummies. It was a band called Say It Twice. Slow rock with ambient guitar melodies and strong, sweet, lonely vocals. Lead vocals John sang “I feel like you let down your heart” and this sincere sentiment echoed throughout their set. They sang about love and pushing for better—life’s strives—in an honest and open way. So open that after their set, they came to the edge of the stage to shake hands with the crowd—a pleasant change of pace.Valencia, Steph

    To fill up some time we caught Valencia’s set on one of the smaller stages. Essentially pop-rock teenage summer anthems, they played mostly songs off their newest album We All Need A Reason To Believe. The songs were perfect for the festival at sunset and would also make a perfect soundtrack to a coast drive with the music cranked loud.Valencia, Steph

    I was intrigued to see what kind of set Asher Roth would bring to the festival, but in the first five minutes he mentioned, “so I smoke pot” and then proceeded to enlighten the crowd about how pretty the hills were behind us and how they looked like teletubbies would descend from them any minute. His babbling sent me walking off in the other direction.

    The catchy tech-rap-rock pumping from the stage with Hollywood Undead had all the men in the crowd grabbing a beer and singing along. I wasn’t sure whether to head bang or lean back, but the men on stage in the masks were commanding the crowd’s attention with their beats and obscene but catchy lyrics. They took off their masks as their set progressed, but maintained their hard personae, demanding attention and the spotlight. It reminded me of something I would hear blasting in my college town on a Friday night.
    All Time Low, Catharine

    At the stage next door All Time Low emerged onto the stage to a mass of screaming teenage girls that filled the blacktop. Their vulgar jokes were reminiscent of the old Blink 182 days, but more vulgar, if that’s possible. The first words out of lead singer Alex’s mouth were, “We’re All Time Low and we’re gonna f*** your mouth.” They even managed to provoke one of the only guys in the crowd to whip it out when Alex later shouted, “Get out your dick and spin it like a helicopter. Shirts and towels are overrated.” They played only songs off their most recent release and popular hit So Wrong, It’s Right with the exception of their newest single “Weightless.” Songs like “Six Feet Under the Stars,” “Poppin’ Champagne” and “Dear Maria” had pretty much everyone singing and dancing along to their infectious pop rock.

    Cobra Starship was on next on the Imagination Stage and Gabe Saporta, former member of Midtown, put on an amazing show as usual, even though his voice sounded a bit hoarse. But I mean, how could a band with a keytar not win your heart? Apparently Jeffree Star and Ben from Sing It Loud agree because they joined the set for some singing cameos. A set filled with songs about movin’ and groovin’ and paparazzi, Gabe inspired some hip shaking. Declaring that he started Cobra Starship because he wanted to do whatever the f*** he wanted, he sure has put his freedom to good use.Fall Out Boy, source:http://waymofo-fobbamboozle09.buzznet.com/user/photos/fobbamboozle09-10jpg/?id=52022061#usersubnav

    The last band and the headliner of the night Fall Out Boy magnetically drew everyone in the crowd to become smashed up against their neighbor in the pit. Pete Wentz was perturbed that during The Get Up Kid’s set immediately before, people were rude enough to shout for Fall Out Boy. He rightly gave credit to bands like The Get Up Kids for the existence of Fall Out Boy and had the crowd start a “Get Up Kids” chant. The band opened with some newer songs off their December 2008 album Folie A Deux with pounding bass and a jazz-soul undertone and then jammed on some older fan favorites, ending with one of their first and probably best single “Saturday” from Take This To Your Grave to which the whole crowd went crazy and formed a circle pit. These guys are some hard-working musicians that give a lot to their fans. It was a sweaty lovely mess of people loving music that loves them back.


  3. New Found Glory, Bayside, and Set Your Goals in Anaheim, CA

    by A2S

    Not Without A Fight Tour

    Set Your Goals, source: myspace.com/setyourgoals

    What happens when you put three of the most high-energy hard-working and genuine rock bands on tour together? If you made it to your local venue for the Not Without a Fight Tour, you’d know the answer. Set Your Goals and Bayside opened for New Found Glory on the tour for NFG’s new album of the same name. The night was full of moshing, crowd-surfing and altogether punk rock pandemonium in celebration of these great acts.

    Set Your Goals assaulted the stage with fast punk riffs slathered with heavy bass and Matt Wilson’s and Jordan Brown’s in-your-face tenor and shouting vocal duet. They played a few newer songs, announcing the release of their new album this summer on Epitaph records. They also played a few off their old EP Reset like “Goonies Never Say Die!” but mostly they played the favorites off of their 2008 full-length Mutiny, which is packed to the brim with rebellion, attitude and swashbuckling (Urban Dictionary defines this as “Anything and everything a pirate does that is awesome, usually involving a good amount of rum, jumping off shit, and screaming ‘ARRR.’” Sounds about right.). Songs like “Echos,” “To Be Continued,” “Mutiny,” and “Work in Progress,” had the crowd in a full-out mosh frenzy. Set Your Goals put on a great show and got the crowd pumped for the other bands to come.

    There seemed to be a pervading question throughout the crowd after SYG’s set. What happened to the opening band? The tour was originally scheduled to open with the band Verse and their untimely break up brought Shai Hulud on tour, but the band was no where to be seen. Jordan of New Found Glory later explained that this venue, the House of Blues Disney (at Downtown Disney next to Disneyland) was the only venue that refused to allow Shai Hulud play due to the content of their lyrics. Bull hockey.

    Bayside

    Bayside came on stage next. Their ironic and self-deprecating rock bled through the speakers to be met with eager fans, singing along at the top of their lungs. Anthony Raneri’s distinctly charming and gloomy vocals were accompanied by Chris Guglielmo on drums, Nick Ghanbarian slappin’ the bass and Jack O’shea’s fast-fingered guitar solos. Jack reminded me of the lead singer of H.I.M., Ville Valo, with his sweaty mob of black hair swinging around the stage and his teeth grit in rock-and-roll sweet anguish. Bayside rocked songs from all their albums, with a few of my favorites “The Walking Wounded” and “Devotion and Desire” with “Roshambo” off their newest (and excellent) release Shudder. Their performance seemed to come out strong and wane in energy as it went on, but all and all was powerful and the songs were flawless.

    New Found Glory, source: myspace.com/newfoundglory, by Peter HillNew Found Glory, still going strong after nine years, commanded the stage and riled up the crowd as they took us from 2009 to 2000 and back. Didn’t know time travel was possible? Try watching New Found Glory play “Dressed to Kill” and “Hit or Miss” as the entire venue sings along. They played some of the most memorable high school anthems like Sticks and Stones’ “My Friends Over You” and Catalyst’s “All Downhill from Here.” Then the more sentimental songs from Coming Home like “Oxygen” and an acoustic performance of “Too Good to Be.” To bring us up to date, they jammed out some of their newest soon-to-be anthems from their March release Not Without a Fight like “Right Where We Left Off” and “Truckstop Blues.” A guy in the front row was singing along with his middle finger in the air and vocalist Jordan pointed out, “how 2009 of him” but really this is the sentiment that Not Without a Fight provokes—attitude and passion. Before the night closed, the band made sure to let the crowd know that all the bands on the tour are sincere. They’re “not doing it to sell a tshirt.” And I think this is what made the show so great. Honest rock and roll is the best and only kind there is.

    * all image sources provided in the image properties


  4. Hedley’s new album Never Too Late

    April 14, 2009 by J-Man

    Never Too Late

    There’s a band called Hedley that you have never heard of. A guy named Jacob Hoggard is their lead singer. Tommy Mac plays bass. Dave Rosin plays guitar for them. Chris Crippin plays the drums. Not ringing any bells? Let me give you a list of reasons (complete with bullet points) your innocent ignorance is ridiculous. In three years, this band has:

    • Taken two albums double platinum
    • Released seven #1 songs
    • Beat out Nickelback and Avril Lavigne on Nielsen’s BDS Top 10 Artist Airplay
    • Toured with Nickelback, Sum 41, Yellowcard, 3 Days Grace, Finger Eleven, and BON FRICKEN JOVI.

    So why have you never heard them? Canadia has been keeping them secret, that’s why. I’m fairly certain that our northern neighbors have some sort of Weapon X-like facility where they genetically engineer rock stars. As with all of Canada’s radio-take-over artists, Hedley is now headed down our way with their exclusive U.S. release, Never Too Late. On this album, we get all seven #1 singles along with other songs from their two double platinum releases that we didn’t get to buy due to not being Canadian.

    The first track on the album, “She’s So Sorry”, hits hard and gives you a taste of the band’s rock influence. I immediately thought of Billy Talent when the vocals started, and that is a very good thing. It’s a powerful start to a well rounded album.

    They’ve got a bit of the “producer added electronica” curse that seems to be plaguing bands today (electronic drums on “Bone Shatter”, synth noises on “Hand Grenade”, keyboard track on “On My Own” without a keyboardist in the band), but it’s not so bad that it distracts from the obvious talent these guys bring to the table.

    The reggae influence on the title track “Never Too Late” was an awesome surprise. The band pays tribute to Jacob Hoggard’s pop star days on Canadian Idol with “For the Nights I Can’t Remember”. They round out the album with a couple of well placed ballads, ensure that they’ll be played at every graduation with “Old School”, and seem to have put together a record that’s probably going to go platinum here in the U.S. just like it did in Canada. I’m going to buy it, and I got it for free already.


  5. The Academy is, Empires, & Evan Taubenfeld @ Musica (Akron, OH)

    April 10, 2009 by Aimee

    The Snakes and Suits Acoustic tour hit Musica in Akron, Ohio on April 3rd. Evan Tabenfeld started off the show with his witty banter and catchy tunes; Empires was up next, and although all of them were quite sick still sounded great; William Beckett of the Academy Is came out last, and with a mixture of cover songs, as well as old and new songs of their own captured the audience.

    Make sure you check out the rest of the photo’s in our photo section (here)!

    Evan Taubenfeld Myspace

    Empires Myspace

    The Academy Is Myspace

    *Evan Taubenfeld

    *Empires

    *The Academy Is


  6. The Mission District

    April 9, 2009 by Cassie

    photo credit: www.myspace.com/themissiondistrict

    Upon listening to The Mission District’s “Heartbreaker”, I am instantly reminded of bands such as Metro Station, Melee, and Cobra Starship – bands that I enjoy regularly on warm and sunny days. The keyboard and upbeat tempos lend to a rather energetic and unbelievably catchy chorus that compel me to repeat the song after the first go-round.

    But there is something different from the other bands here. In some points of the verses, the lead singer, David Rancourt’s voice, sounds straight out of the 80’s. Rancourt says, “We didn’t want to write a self-indulgent and arty record. We wanted to write a pop record. We wanted to have big choruses that you could sing along to…” and that is something that comes across in a big way. After a couple of plays, I already know those choruses and am singing along. Apparently these guys are very familiar with catchy.

    photo credit: Gemma Conway

    Other Mission District songs like, “So Over You” and “The Age of Pretending” showcase some 80’s style synthesizer and vocals highlighting dance-inspiring qualities. On “The Best of You and Me”, a whole different sound is displayed – one with more typical pop-rock beats, without the electronic feel. Their songs don’t all sound, which keeps me entertained. With lyrics like “I will break your heart tonight cause this is what we do/This time I swear I’ll get it right/ I’ll break your heart in two,” some might say that these tracks aren’t too profound, but The Mission District succeeds in what they set out to accomplish: catchy, fun, and genuinely good pop music. This will definitely be in my stereo next time I’m thinking of having a dance party.


  7. Falling Up’s new album, Fangs!

    April 6, 2009 by Jackie

    http://www.myspace.com/fallingup Hailing from Albany, Oregon the trio that makes up Falling Up–Josh Shroy (drums), Jeremy Miller (bass, keys) and Jess Ribordy (vocals, guitar and keys)–is anything but mundane and ordinary.


    There is no real musical “genre” you could classify these three guys in. Part rock, part ballad, part science fiction and part everything else, their classification of themselves on MySpace as “experimental” is very fitting.

    With their sixth album Fangs!, released on March 24th, the spiritual band further pushes the boundaries of time and sound with their “experimental” music. From the get-go, Fangs! sounds like something few listeners have probably ever heard before. Ribordy’s voice is at the very least, haunting, with just the right amount of near-creepy thrown in. The sound becomes almost spaceage-esque when Ribordy’s voice combines with the electronic effects the band has laid over tracks like “Lotus And The Languorous.”

    http://www.myspace.com/fallingup


    Many of the songs are chock full of sheer ominousness, making them feel like the supporting soundtrack to an intense battle scene from Star Trek or a J.R.R. Tolkien fantasy novel. Other tracks, like “Goddess of the Dayspring, Am I,” are more upbeat and even ethereal in their musical style.


    On the title of the album, Ribordy says, “Fangs sums up a very reactive type of scenario. We often think of Fangs relating to snakes or poison, which represent the idea of biting and damage. It’s a very reaction-based record where something is always happening. Whether it be good or bad, it’s always significant.”

    And significant this album is. From its out-of-this-world-infused songs, all the way down to the song titles; most of which are quite complex and sound like they were taken directly from a chapter in a sci-fi novel, with names like “Streams of Woe at Acheron” and “The King’s Garden.”

    If Falling Up’s goal is to push musical boundaries, they have definitely done so with Fangs!.


  8. Believers Never Die Part Deux

    April 2, 2009 by Charitie

    Believers Never Die Part Deux

    Wamu Theater, April 10, 200

    Hey Monday, Metro Station, All Time Low, Cobra Starship, Fall Out Boy

    Photos taken by Charitie Myers

    For more photos, go to our Believers Never Die Myspace album